Charles de Lint Quotes

On this page you can find the TOP of Charles de Lint's best quotes! We hope you will find some sayings from Writer Charles de Lint's in our collection, which will inspire you to new achievements! There are currently 194 quotes on this page collected since December 22, 1951! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
  • I was going through the motions of life, instead of really living, and there's no excuse for that. It's not something I'll let happen to me again.

    Charles de Lint (2007). “Tapping the Dream Tree”, p.250, Macmillan
  • Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.

  • Let it go on record that any confusion arose simply because we lacked certain commonalities of reference.

    "The Ivory and the Horn: A Newford Collection". Book by Charles de Lint, 1995.
  • There's never an easy route to the things that matter.

    Charles de Lint (2002). “The Onion Girl”, p.177, Macmillan
  • The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.

  • There's more to life than just surviving . . . but . . . sometimes just surviving is all you get

  • I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

  • I like living in the city where I have all my books and music and can go out to buy that night's dinner or easily see a band. But I also like the wild places, especially hiking in the desert and the Eastern woodlands. Do I have to choose?

  • Like legend and myth, magic fades when it is unused - hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.

    "The Little Country". Book by Charles de Lint, 1991.
  • Remember the quiet wonders. The world has more need of them than it has for warriors.

    "Moonheart". Book by Charles de Lint, 1994.
  • It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again.

  • Sculptors, poets, painters, musicians-they're the traditional purveyors of Beauty. But it can as easily be created by a gardener, a farmer, a plumber, a careworker.

    Charles de Lint (2002). “The Onion Girl”, p.137, Macmillan
  • The real problem is, people think life is a ladder, and it's really a wheel.

    "The Ivory and the Horn". Book by Charles de Lint, 1995.
  • All my life I've wanted to be the kid who gets to cross over into the magical kingdom.

    Charles de Lint (2002). “The Onion Girl”, p.60, Macmillan
  • Books and music saved me as a teenager because it was through them that I realized that I wasn't alone in my obsessive love for words and music.

  • Like legend and myth, magic fades when it is unused.

    Magic  
    "The Little Country". Book by Charles de Lint, 1991.
  • We're so quick to cut away pieces of ourselves to suit a particular relationship, a job, a circle of friends, incessantly editing who we are until we fit in.

    Charles De Lint (2000). “Triskell Tales: Twenty-two Years of Chapbooks”, Subterranean
  • The excitement I get from writing is finding out each day what happens next.

  • Inside us lies every possibility that is available to a sentient being. Every darkness, every light. It is the choices we make that decide who or what we will be.

  • I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.

  • I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

  • Thing is, while I know better, I like sounding ignorant. Talk like this and people figure you're about as dumb as a fencepost, which suits me fine. Makes it all that much easier to take advantage of 'em.

    Charles de Lint (2002). “The Onion Girl”, p.98, Macmillan
  • Don't forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.

  • There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.

  • Stone walls confine a tinker; cold iron binds a witch; but a musician's music can never be fettered, for it lives first in her heart and mind.

  • You've got to spread out as far as you can, cut down a whole forest, irrigate a whole desert, just to make sure that you won't accidentally stumble upon a place that's still in its natural state.

  • I don't think the world works on merit.

    Charles de Lint (2002). “The Onion Girl”, p.26, Macmillan
  • [She] had felt straight away that she wasn’t meeting a new friend, but recognizing an old one.

  • Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.

    "Dreams Underfoot". Book by Charles de Lint, 1993.
  • Every time you do a good deed you shine the light a little farther into the dark. And the thing is, when you're gone that light is going to keep shining on, pushing the shadows back.

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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 194 quotes from the Writer Charles de Lint, starting from December 22, 1951! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!