Charles Frazier Quotes

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All quotes by Charles Frazier: Age Books Desire Giving Memories Mountain Pain Past Writing more...
  • I remember my father checking on a mountain kid who hadn't been coming to school. My father had this beautiful Harris tweed overcoat. He came back with a knife cut all down one side. The parents had told him it was none of his business why their son wasn't going to school.

  • There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.421, Grove/Atlantic, Inc.
  • Ask her what she craved, and she'd get a little frantic about things like books, the woods, music. Plants and the seasons. Also freedom. Not being bought and sold by some idiot employer, not having the moments of her days valued in fractions of a dollar by somebody other than herself.

    Book  
    Charles Frazier (2011). “Nightwoods: A Novel”, p.34, Random House
  • When everything is immediately available and infinitely reproducible, nothing is valuable.

    Charles Frazier (2006). “Thirteen Moons: A Novel”, p.416, Random House
  • It is best not to study too much on who gets what they deserve. It can lead to an overly complicated interpretation of God's personal attributes.

    Charles Frazier (2006). “Thirteen Moons: A Novel”, p.412, Random House
  • He had been alone in the world and empty for so long. But she filled him full, and so he believed everything that had been taken out of him might have been for a purpose. To clear space for something better.

    Taken  
    Charles Frazier (1997). “Cold Mountain”, p.347, Atlantic Monthly Press
  • Marrying a woman for her beauty makes no more sense than eating a bird for its singing. But it's a common mistake nonetheless.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.279, Grove/Atlantic, Inc.
  • From my childhood, I remember a tiny old woman named Mary, made pale and almost translucent by time. Mary's childhood memories extended back to the confusing and violent finale of the Civil War, and she told stories of brutal murders in those days and refused to name some of the killers, as if dead men might still be prosecuted in the late 1950s.

    "Week three: Charles Frazier on writing Cold Mountain" by Charles Frazier, www.theguardian.com. September 30, 2011.
  • Writing doesn't come real easy to me. I couldn't write a novel in a year. It wouldn't be readable. I don't let an editor even look at it until the second year, because it would just scare them. I just have to trust that all these scraps and dead-ends will find a way.

    Real   Writing   Years  
  • I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.

    New York   Nice   Book  
  • You never know when somebody will pull you to them.

    Charles Frazier (2013). “Thirteen Moons”, p.275, Hachette UK
  • No looking back. Life goes one way only, and whatever opinions you hold about the past having nothing to do with anything but your own damn weakness. Nothing changes what already happened. It will always have happened. You either let it break you down or you don't.

    Charles Frazier (2011). “Nightwoods: A Novel”, p.42, Random House
  • I'm ruined beyond repair, is what I fear...And if so, in time we'd both be wretched and bitter." "I know people can be mended. Not all, and some more immediately than others. But some can be. I don't see why not you." "Why not me?

  • Our worst pain is confined within our own skin.

    Charles Frazier (2006). “Thirteen Moons: A Novel”, p.341, Random House
  • It's a good thing war is so terrible or else we'd get to liking it too much.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.12, Grove/Atlantic, Inc.
  • Nothing changes what alreaday happened. It will always have happened. You either let it break you down or you don't.

    Charles Frazier (2011). “Nightwoods: A Novel”, p.45, Random House
  • One thing he discovered with a great deal of astonishment was that music held for him more then just pleasure. There was meat to it. The grouping of sounds, their forms in the air as they rang out and faded, said something comforting to him about the rule of Creation. What the music said was that there is a right way for things to be ordered so that life might not always be just tangle and drift, but have a shape, an aim. It was a powerful argument that life did not just happen.

  • Publishers give you deadlines for those last phases of production that are perfectly comfortable for them. So, to whatever extent I can, I like to push those to give me a little more time, and make it so that they're as uncomfortable as I am.

  • That's just pain she said. It goes eventually. And when it's gone, there's no lasting memory. Not the worst of it anyway. It fades. Our minds aren't made to hold on to the particulars of pain the way we do bliss. It's a gift God gives us, a sign of His care for us.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.277, Grove/Atlantic, Inc.
  • I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.

    "Week three: Charles Frazier on writing Cold Mountain" by Charles Frazier, www.theguardian.com. September 30, 2011.
  • We are not strong enough to stand up against endless grief, And yet pain is the constant drone of life. So if we are to have any happiness at all, it is only in the passing instant.

    Charles Frazier (2006). “Thirteen Moons: A Novel”, p.393, Random House
  • Surely it is a sin to reject the few gifts we are given. Be happy in the flash of time granted to us or hurt forever.

    Charles Frazier (2006). “Thirteen Moons: A Novel”, p.393, Random House
  • While writing Cold Mountain, I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.

    Clever   Writing   Two  
    "Week three: Charles Frazier on writing Cold Mountain" by Charles Frazier, www.theguardian.com. September 30, 2011.
  • [No] matter what a waste one has made of one's life, it is ever possible to find some path to redemption, however partial.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.297, Grove/Atlantic, Inc.
  • So of course time is necessary. But nevertheless damn painful, for it transforms all the pieces of your life - joy and sorrow, youth and age, love and hate, terror and bliss - from fire into smoke rising up the air and dissipating on a breeze.

  • Well, I'm a slow writer. For me, a good day is a page, maybe a page and a half. I'd love to be more efficient, but I am not.

  • What I'm certain I don't want is to find myself someday in a new century, an old bitter woman looking back, wishing that right now I'd had more nerve.

    Charles Frazier (2007). “Cold Mountain: A Novel”, p.410, Grove/Atlantic, Inc.
  • I was 46 when 'Cold Mountain' came out. I was settled. We had a nice house in Raleigh and a horse farm.

    Nice  
  • But she couldn't dismiss easily his light touch with her. No pushing or pressing, none of that herding and corralling bullshit, unlike any of her old boyfriends. And maybe who you fell for and who you eventually loved wasn't rational, no matter how hard you tried to list pros and cons and sum the results. You couldn't think your way through it, not all the way. Maybe just the scent of somebody carried more weight than everything else put together.

    Charles Frazier (2011). “Nightwoods: A Novel”, p.154, Random House
  • Hardboiled crime fiction came of age in Black Mask magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.

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    Charles Frazier quotes about: Age Books Desire Giving Memories Mountain Pain Past Writing