D. H. Lawrence Quotes About Passion
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When passion is dead, or absent, then the magnificent throb of beauty is incomprehensible and even a little despicable.
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The Italians are not passionate: passion has deep reserves. They are easily moved, and often affectionate, but they rarely have any abiding passion of any sort.
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The love between man and woman is the greatest and most complete passion the world will ever see, because it is dual, because it is of two opposing kinds.
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I can give you a spirit love, I have given you this long, long time; but not embodied passion. See, you are a nun. I have given you what I would give a holy nun...In all our relations no body enters. I do not talk to you through the senses - rather through the spirit. That is why we cannot love in the common sense.
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It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if se adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.
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Any novel of importance has a purpose. If only the "purpose" be large enough, and not at outs with the passional inspiration.
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Marriage and deathless friendship, both should be inviolable and sacred: two great creative passions, separate, apart, but complementary: the one pivotal, the other adventurous: the one, marriage, the centre of human life; and the other, the leap ahead.
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Death is the only pure, beautiful conclusion of a great passion.
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Persephone herself is but a voice or a darkness invisible enfolded in the deeper dark of the arms Plutonic, and pierced with the passion of dense gloom, among the splendor of torches of darkness, shedding darkness on the lost bride and her groom.
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Be still when you have nothing to say; when genuine passion moves you, say what you've got to say, and say it hot.
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And in this passion for understanding her soul lay close to his; she had him all to herself. But he must be made abstract first.
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Since obscenity is the truth of our passion today, it is the only stuff of art -- or almost the only stuff.
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It seems to me a purely lyric poet gives himself, right down to his sex, to his mood, utterly and abandonedly, whirls himself roundtill he spontaneously combusts into verse. He has nothing that goes on, no passion, only a few intense moods, separate like odd stars, and when each has burned away, he must die.
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When we get out of the glass bottles of our ego, and when we escape like squirrels turning in the cages of our personality and get into the forests again, we shall shiver with cold and fright but things will happen to us so that we don't know ourselves. Cool, unlying life will rush in, and passion will make our bodies taut with power, we shall stamp our feet with new power and old things will fall down, we shall laugh, and institutions will curl up like burnt paper.
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Why were we driven out of Paradise? Why did we fall into this gnawing disease of unappeasable dissatisfaction? Not because we sinned. Ah, no. All the animals in Paradise enjoyed the sensual passion of coition. Not because we sinned. But because we got sex into our head.
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And to my lips' Bright crimson rim The passion slips, And down my slim White body drips The shining hymn.
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