Don DeLillo Quotes

On this page you can find the TOP of Don DeLillo's best quotes! We hope you will find some sayings from Writer Don DeLillo's in our collection, which will inspire you to new achievements! There are currently 347 quotes on this page collected since November 20, 1936! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
  • People in free societies don't have to fear the pathology of the state. We create our own frenzy, our own mass convulsions, driven by thinking machines that we have no final authority over. The frenzy is barely noticeable most of the time. It's simply how we live.

    Don DeLillo (2004). “Cosmopolis: A Novel”, p.85, Simon and Schuster
  • People think about who they are in the stillest hour of the night.

    Don DeLillo (2004). “Cosmopolis: A Novel”, p.155, Simon and Schuster
  • There are no amateurs in the world of children.

    Don DeLillo (2011). “White Noise”, p.120, Pan Macmillan
  • Human existence had to have a deeper source than our own dank fluids. Dank or rank. There had to be a force behind it, a principal being who was and is and ever shall be.

    Don DeLillo (2011). “Falling Man”, p.148, Pan Macmillan
  • Be willing to die for your beliefs, or computer printouts of your beliefs.

    Don DeLillo (2011). “Great Jones Street”, p.115, Pan Macmillan
  • days like this. i look at you and feel electric. tell me you don't feel it too."_Eric Packer

  • Brilliant people never think of the lives they smash, being brilliant.

    Don DeLillo (1999). “White Noise”, p.187, Penguin
  • The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.

    "Anything Can Happen: Interviews with Contemporary American Novelists". Book by Tom LeClair, Larry McCaffery, perival.com. 1979.
  • Before pop art, there was such a thing as bad taste. Now there's kitsch, schlock, camp, and porn.

    Don DeLillo (2012). “Running Dog”, p.148, Vintage
  • True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.84, Univ. Press of Mississippi
  • It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

  • I think my work is influenced by the fact that we're living in dangerous times. If I could put it in a sentence, in fact, my work is about just that: living in dangerous times.

    "Living in dangerous times". Interview with Kevin Nance, www.chicagotribune.com. October 12, 2012.
  • Let's enjoy the aimless days while we still can.

  • Talent is more erotic when it's wasted.

    Don DeLillo (2011). “Cosmopolis”, p.27, Pan Macmillan
  • People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being.

    Don DeLillo (2011). “Cosmopolis”, p.19, Pan Macmillan
  • We feel certain that the extraterrestrial message is a mathematical code of some kind. Probably a number code. Mathematics is the one language we might conceivably have in common with other forms of intelligent life in the universe. As I understand it, there is no reality more independent of our perception and more true to itself than mathematical reality.

  • I've always felt that my subject was living in dangerous times.

    "Intensity of a Plot". Interview with Mark Binelli, www.guernicamag.com. July 17, 2007.
  • Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

    Don DeLillo (2016). “Mao II”, p.34, Pan Macmillan
  • The smoke alarm went off in the hallway upstairs, either to let us know the battery had just died or because the house was on fire.

    Don DeLillo (2011). “White Noise”, p.11, Pan Macmillan
  • You have to break through the structure of your own stonework habit just to make yourself listen.

    Don DeLillo (2011). “Falling Man”, p.147, Pan Macmillan
  • I quit my job just to quit. I didn't quit my job to write fiction. I just didn't want to work anymore.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.78, Univ. Press of Mississippi
  • What terrorists gain, novelists lose.

    Don DeLillo (2016). “Mao II”, p.108, Pan Macmillan
  • Was she naked?" Lasher said. "To the waist," Cotsakis said. "From which direction?" Lasher said.

    Don DeLillo (2011). “White Noise”, p.81, Pan Macmillan
  • I would never write in response to what I believe the public wanted or needed.

    Interviews with Don DeLillo, perival.com. December 15, 2016.
  • They passed out of the shade beneath the eaves and flew into sunglare and silence and it was an action she only partly saw, elusive and mutely beautiful, the birds so sunstruck they were consumed by light, disembodied, turned into something sheer and fleet and scatter-bright.

    Light  
    Don DeLillo (2011). “The Body Artist”, p.7, Pan Macmillan
  • I watch movies occasionally, and I watch documentaries. Virtually nothing else.

    "Q&A: Don DeLillo / It's not as easy as it looks / DeLillo talks about writing plays, watching sports and movies, and defining love and death". Interview with John Freeman, www.sfgate.com. March 5, 2006.
  • He wanted paper and something to write with, some way to sustain a thought, to place it in the world.

    Don DeLillo (2016). “Mao II”, p.76, Pan Macmillan
  • People stress the violence. That's the smallest part of it. Football is brutal only from a distance. In the middle of it there's a calm, a tranquility. The players accept pain. There's a sense of order even at the end of a running play with bodies strewn everywhere. When the systems interlock, there's a satisfaction to the game that can't be duplicated. There's a harmony.

    Don DeLillo (2011). “End Zone”, p.67, Pan Macmillan
  • Bloomberg weighed three hundred pounds. This itself was historical. I revered his weight. It was an affirmation of humanity's reckless potential; it went beyond legend and returned through mist to the lovely folly of history. To weigh three hundred pounds. What devout vulgarity.

    Don DeLillo (2011). “End Zone”, p.20, Pan Macmillan
  • The world is full of abandoned meanings. In the commonplace I find unexpected themes and intensities.

    Don DeLillo (2011). “White Noise”, p.205, Pan Macmillan
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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 347 quotes from the Writer Don DeLillo, starting from November 20, 1936! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!