Edgard Varese Quotes
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There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces.
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Music is organized sound.
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Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs.
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There are two infinities: God and stupidity.
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In every domain of art, a work that corresponds to the need of its day carries a message of social and cultural value. It is the artist who crystallizes his age ... who fixes his time in history.
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I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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Music is the most abstract of the arts and also the most physical....music is under two signs, the stars and the wine
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Men set themselves a goal, and having attained it, are satisfied and grow paunches. In their complacency they forget that their only future is now death.
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I was not influenced by composers as much as by natural objects and physical phenomena.
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Everyone is born with genius, but most people only keep it a few minutes.
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A man is culpable in the eyes of society when he escapes from the jurisdiction of its mediocrity.
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Our musical alphabet is poor and illogical.
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A work of art must make the rules: rules do not make a work of art...I tell people I am not a musician; I work with rhythms, frequencies and intensities...tunes are merely the gossips of music.
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Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor. Why, Italian Futurists, have you slavishly reproduced only what is commonplace and boring in the bustle of our daily lives. I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
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Of all the arts, music is the one communal art. It requires for its existence extensive cooperation and organization...Singing together the greatest choral music of all time is the surest way of developing in a community that sense of quality and reverence for beauty, which is the basis of a musical culture...Entertainment has its place in life just as candies and cocktails have, but health is not built on such a diet alone, nor culture exclusively on amusement.
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I don't want to write any more for the old Man-power instruments and am handicapped by the lack of adequate electrical instruments for which I now conceive my music.
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I rather like a certain clumsiness in a work of art.
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I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.
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The present day composer refuses to die.
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No matter how consummate a work of art may seem, it is only an approximation of the original conception. It is the artist's consciousness of this discrepancy between his conception and the realization that assures his progress.
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Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.
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The beginning of art is not reason. It is the buried treasure of the unconscious...that unconscious which has more understanding than our lucidity.
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