F. Scott Fitzgerald Quotes About Children

We have collected for you the TOP of F. Scott Fitzgerald's best quotes about Children! Here are collected all the quotes about Children starting from the birthday of the Author – September 24, 1896! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 16 sayings of F. Scott Fitzgerald about Children. We will be happy if you share our collection of quotes with your friends on social networks!
  • The rich get richer and the poor get - children.

    F. Scott Fitzgerald, Matthew J. Bruccoli (1991). “F. Scott Fitzgerald: The Great Gatsby”, p.167, Cambridge University Press
  • the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true

    F. Scott Fitzgerald (2013). “Three Novels: Tender is the Night; The Beautiful and Damned; Thi”, p.415, Simon and Schuster
  • Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.

    F. Scott Fitzgerald (2015). “The Echoes of the Jazz Age Collection: The Beautiful and Damned, Winter Dreams, The Great Gatsby, Babylon Revisited, The Diamond as Big as the Ritz and many more”, p.5, e-artnow
  • This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea--if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be a dazzling sunset.

    F. Scott Fitzgerald (2014). “The Offshore Pirate: Short Story”, p.3, Harper Collins
  • The mind of a little child is fascinating, for it looks on old things with new eyes-but at about twelve this changes. The adolescent offers nothing, can do nothing, say nothing that the adult cannot do better.

    F. Scott Fitzgerald (2015). “Collected Letters of F. Scott Fitzgerald: From the author of The Great Gatsby, The Side of Paradise, Tender Is the Night, The Beautiful and Damned, The Love of the Last Tycoon, The Curious Case of Benjamin Button and many other notable works”, p.98, e-artnow
  • This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.

    F. Scott Fitzgerald (2016). “Flappers and Philosophers: American Literature”, VM eBooks
  • Even when the east excited me most, even when I was keenly aware of its superiority to the broad, sprawling, swollen towns beyond the Ohio, with their interminable inquisitions which only spared children and the very old-even then it had always for me a quality of distortion.

  • Books are like brothers. I am an only child. Gatsby [is] my imaginary eldest brother.

    F. Scott Fitzgerald (2009). “The Crack-Up”, p.176, New Directions Publishing
  • Often a man can play the helpless child in front of a woman, but he can almost never bring it off when he feels most like a helpless child.

    F. Scott Fitzgerald (2015). “The Complete Works of F. Scott Fitzgerald: Novels, Short Stories, Poetry, Articles, Letters, Plays & Screenplays: From the author of The Great Gatsby, The Side of Paradise, Tender Is the Night, The Beautiful and Damned, The Love of the Last Tycoon, The Curious Case of Benjamin Button and many other notable works”, p.371, e-artnow
  • They always believe that 'things are in a bad way now,' but they 'haven't any faith in these idealists.' One minute they call Wilson 'just a dreamer, not practical'- a year later they rail at him for making his dreams realities. They haven't clear logical ideas on one single subject except a sturdy, stolid opposition to all change. They don't think uneducated people should be highly paid, but they won't see that if they don't pay the uneducated people their children are going to be uneducated too, and we're going round and round in a circle. That- is the great middle class.

    F. Scott Fitzgerald (2013). “Three Novels: Tender is the Night; The Beautiful and Damned; Thi”, p.996, Simon and Schuster
  • One thin's sure and nothing's surer The rich get richer and the poor get - children. In the meantime, In between time...

    F. Scott Fitzgerald (1980). “The Great Gatsby”
  • I've noticed that the children of other nations always seem precocious. That's because the strange manners of their elders have caught our attention most and the children echo those manners enough to seem like their parents.

  • It is difficult for young people to live things down. We will tolerate vice, grand larceny and the quieter forms of murder in our contemporaries... but our children's friends must show a blank service record.

    F. Scott Fitzgerald, Jackson R. Bryer, John Richard Kuehl (1997). “The Basil and Josephine Stories”, p.285, Simon and Schuster
  • For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened - then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk.

    F. Scott Fitzgerald (2013). “The Great Gatsby”, p.14, Atlântico Press
  • Strange children should smile at each other and say, "Let's play.

    F. Scott Fitzgerald (2015). “The Complete Works of F. Scott Fitzgerald: Novels, Short Stories, Poetry, Articles, Letters, Plays & Screenplays: From the author of The Great Gatsby, The Side of Paradise, Tender Is the Night, The Beautiful and Damned, The Love of the Last Tycoon, The Curious Case of Benjamin Button and many other notable works”, p.469, e-artnow
  • The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the unclear voices of children, already gathered like crikets on the grass, rose through the hot twilight.

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