George Orwell Quotes About Writing

We have collected for you the TOP of George Orwell's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Novelist – June 25, 1903! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 46 sayings of George Orwell about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • There is only one way to make money at writing, and that is to marry a publisher's daughter.

    George Orwell (2016). “Homage to Catalonia / Down and Out in Paris and London”, p.268, Houghton Mifflin Harcourt
  • By using stale metaphors, similes and idioms, you save much mental effort, at the cost of leaving your meaning vague, not only for your reader but for yourself.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.279, Houghton Mifflin Harcourt
  • A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.279, Houghton Mifflin Harcourt
  • Money, money, all is money! Could you write even a penny novelette without money to put heart in you?

    George Orwell (1987). “Keep the Aspidistra Flying”, Harvill Secker
  • To write or even speak English is not a science but an art. There are no reliable words.... Whoever writes English is involved in a struggle that never lets up even for a sentence.

    Art  
    George Orwell (1968). “The Collected Essays, Journalism, and Letters of George Orwell: As I please, 1943-1945”
  • When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.

    Art   Lying  
    George Orwell (1970). “A Collection of Essays”, p.315, Houghton Mifflin Harcourt
  • Good prose should be transparent, like a window pane.

  • For weeks past he had been making ready for this moment, and it had never crossed his mind that anything would be needed except courage. The actual writing would be easy. All he had to do was to transfer to paper the interminable restless monologue that had been running inside his head, literally for years.

    Running  
    George Orwell (1976). “The Penguin complete novels of George Orwell”
  • Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own unorthodoxy. Good novels are written by people who are not frightened.

    People  
    "Essays".
  • Modern writing at its worst does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug. The attraction of this way of writing is that it is easy.

    George Orwell (1970). “A Collection of Essays”, p.164, Houghton Mifflin Harcourt
  • Is not anyone with any degree of mental honesty conscious of telling lies all day long, both in talking and writing, simply because lies will fall into artistic shape when truth will not?

    Lying  
    George Orwell (1998). “A patriot after all, 1940-1941”, Martin Secker & Warburg Ltd
  • Man's greatest drive is not love or hate but to change another person's writing.

    Men  
  • From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books.

    George Orwell (1970). “A Collection of Essays”, p.309, Houghton Mifflin Harcourt
  • Political writing in our time consists almost entirely of prefabricated phrases bolted together like the pieces of a child's Meccano set. It is the unavoidable result of self-censorship. To write in plain, vigorous language one has to think fearlessly, and if one thinks fearlessly one cannot be politically orthodox.

    George Orwell (1986). “The complete works of George Orwell”
  • As I write, highly civilized human beings are flying overhead, trying to kill me.

    1941 The Lion and the Unicorn: Socialism and the English Genius, pt.1,'England Your England'.
  • A scrupulous writer in every sentence that he writes will ask himself. . . What am I trying to say? What words will express it?...And he probably asks himself. . . Could I put it more shortly? But you are not obliged to go to all this trouble. You can shirk it by simply throwing open your mind and letting the ready-made phrases come crowding in. They will construct your sentences for you

  • All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery.

    Lying  
    1946 'Why I Write'.
  • Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.

    People  
    George Orwell, Sonia Orwell, Ian Angus (1968). “The Collected Essays, Journalism and Letters of George Orwell: An age like this, 1920-1940”, Harvill Secker
  • By the time you have perfected any style of writing, you have always outgrown it.

    George Orwell (2009). “Facing Unpleasant Facts: Narrative Essays”, p.231, Houghton Mifflin Harcourt
  • I do not wish to comment on the work; if it does not speak for itself, it is a failure.

    George Orwell (1997). “The complete works of George Orwell”
  • In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.

    George Orwell (2001). “Orwell and Politics”, p.459, Penguin UK
  • There is a minority of gifted, willfuf people who are determined to live their own lives to the end, and writers belong in this class.

    People  
  • Winston worked in the RECORDS DEPARTMENT (a single branch of the Ministry of Truth) editing and writing for The Times. He dictated into a machine called a Speakwrite. Winston would receive articles or news-items which for one reason or another it was thought necessary to alter, or, in Newspeak, rectify. If, for example, the Ministry of Plenty forecast a surplus, and in reality the result was grossly less, Winston's job was to change previous versions so the old version would agree with the new one.

  • In our time political speech and writing are largely the defense of the indefensible.

    George Orwell (1956). “The Orwell Reader: Fiction, Essays, and Reportage”, New York : Harcourt, Brace
  • In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning.

    Art  
    George Orwell (1970). “A Collection of Essays”, p.161, Houghton Mifflin Harcourt
  • To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

    Art  
  • Do you remember writing in your diary," he said, "that it did not matter whether I was a friend or an enemy, since I was at least a person who understood you and could be talked to? You were right. I enjoy talking to you. Your mind appeals to me. It resembles my own mind except that you happen to be insane.

    George Orwell (1983). “1984”, p.556, Houghton Mifflin Harcourt
  • Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.

    George Orwell (1970). “A Collection of Essays”, p.316, Houghton Mifflin Harcourt
  • Money writes books, money sells them. Give me not righteousness, O Lord, give me money, only money.

    George Orwell (1987). “Keep the Aspidistra Flying”, Harvill Secker
  • He was conscious of nothing except the blankness of the page in front of him, the itching of the skin above his ankle, the blaring of the music, and a slight booziness caused by the gin.

    George Orwell, A.M. Heath (2003). “Animal Farm and 1984”, p.111, Houghton Mifflin Harcourt
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