Haruki Murakami Quotes About Winter

We have collected for you the TOP of Haruki Murakami's best quotes about Winter! Here are collected all the quotes about Winter starting from the birthday of the Writer – January 12, 1949! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 6 sayings of Haruki Murakami about Winter. We will be happy if you share our collection of quotes with your friends on social networks!
  • The best thing would be to break your neck, but you'd probably just break your leg and then you couldn't do a thing. You'd yell at the top of your lungs, but nobody;d hear you, and you couldn't expect anybody to find you, and you'd have centipedes and spiders crawling all over you, and the bones of the ones who died before are scattered all around you, and it's dark and soggy, and way overhead there's this tiny, tiny circle of light like a winter moon. You die there in this place, little by little, all by yourself.

    Haruki Murakami (2007). “Vintage Murakami”, p.9, Vintage
  • Age certainly hadn't conferred any smarts on me. Character maybe, but mediocrity is a constant, as one Russian writer put it. Russian writers have a way with aphorisms. They probably spend all winter thinking them up.

    FaceBook post by Haruki Murakami from Sep 25, 2015
  • The morning air of the pasture turned steadily cooler. Day by day, the bright golden leaves of the birches turned more spotted as the first winds of winter slipped between the withered branches and across the highlands toward the southeast. Stopping in the center of the pasture, I could hear the winds clearly. No turning back, they pronounced. The brief autumn was gone.

    "A Wild Sheep Chase". Book by Haruki Murakami, December 31, 1989.
  • Music brings a warm glow to my vision, thawing mind and muscle from their endless wintering.

  • With the advent of winter, her eyes seemed to take on a greater transparency, a transparency that lead nowhere. Occassionally, for no particular reason, Naoko would gaze into my eyes as if searching for something. Each time I was filled with odd sensations of lonliness and inadequecy.

    Haruki Murakami (1989). “Norwegian Wood”
  • How can the mind be so imperfect?" she says with a smile. I look at my hands. Bathed in the moonlight, they seem like statues, proportioned to no purpose. "It may well be imperfect," I say, "but it leaves traces. And we can follow those traces, like footsteps in the snow." "Where do the lead?" "To oneself," I answer. "That's where the mind is. Without the mind, nothing leads anywhere." I look up. The winter moon is brilliant, over the Town, above the Wall. "Not one thing is your fault," I comfort her.

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