Helen Oyeyemi Quotes

On this page you can find the TOP of Helen Oyeyemi's best quotes! We hope you will find some sayings from Novelist Helen Oyeyemi's in our collection, which will inspire you to new achievements! There are currently 41 quotes on this page collected since December 10, 1984! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
All quotes by Helen Oyeyemi: Heart more...
  • Because he says he can't stand you and you act like you can't stand him, and whenever a man and a woman behave like that toward each other, it usually means something's going on.

    Crush   Mean   Men  
    Helen Oyeyemi (2014). “Boy, Snow, Bird”, p.24, Pan Macmillan
  • I feel like an old lady; my hero is Miss Marple.

    Hero   Missing   Old Lady  
  • The language of [Catholic] mysticism - its repeated attempts to lay consciousness itself bare and speak all the intensely opposing yet interconnected parts of it that cannot be spoken.

  • Solitary people, these book lovers. I think it's swell that there are people you don't have to worry about when you don't see them for a long time, you don't have to wonder what they do, how they're getting along with themselves. You just know that they're all right, and probably doing something they like.

    Book   Thinking   Long  
    Helen Oyeyemi (2011). “Mr Fox”, p.202, Pan Macmillan
  • It occurred to me that I was unhappy. And it didn’t feel so very terrible. No urgency, nothing. I could slip out of my life on a slow wave like this—it didn’t matter. I don’t have to be happy. All I have to do is hold on to something and wait.

    Helen Oyeyemi (2011). “Mr Fox”, p.42, Pan Macmillan
  • Magic is an exercise of a pattern of thought (sometimes represented by a gesture, ritual, or the calling of a true name) that results in manifestation/s. But these patterns of thought can have so much to do with whimsy that magic often is jokes.

  • Like every girl, I only need to look up and a little to the right of me to see the hysteria that belongs to me, the one that hangs om a hook like an empty jacket and flutters with disappointment that I cannot wear her all the time. I call her my hysteric, and this personal hysteric of mine is designer made (though I'm not sure who made her), flattering and comfortable, attractive even, if you're around people who like that sort of thing. She is not anyone, my hysteric; she is blank, electricity dancing around a filament, singing to kill.

    Helen Oyeyemi (2013). “The Opposite House”, p.29, A&C Black
  • In Narnia a girl might ring a bell in a deserted temple and feel the chime in her eyes, pure as the freeze that forces tears. Then when the sound dies out, the White Witch wakes. It was like, I want to touch you, and I can touch you, now what next, a dagger?

    Girl   Eye   White  
  • Her heart was heavy because it was open, and so things filled it, and so things rushed out of it, but still the heart kept beating, tough and frighteningly powerful and meaning to shrug off the rest of her and continue on its own.

    Powerful   Heart   Tough  
    Helen Oyeyemi (2011). “Mr Fox”, p.171, Pan Macmillan
  • So many times I've encountered people who are just kind of like, 'Yeah, Nigeria,' and, you know, thump their chest and seem very sure of, like, being Nigerian. And I'm just kind of, like, I wish I could be that sure.

    People   Wish   Kind  
    "Oyeyemi's 'Opposite House'". Interview with Michel Martin, www.npr.org. June 26, 2007.
  • And she walked away, and she walked away, and that was that, and that was that.

    Helen Oyeyemi (2011). “Mr Fox”, p.173, Pan Macmillan
  • I dont have a style. I just try to write what the story demands.

    Writing   Style   Trying  
  • I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.

    Perfect   Alive   Saws  
    Helen Oyeyemi (2010). “White is for Witching”, p.70, Pan Macmillan
  • I love taking things out of context and playing with them and chopping up rules.

    "I didn't know I was writing a novel". Interview with Anita Sethi, www.theguardian.com. January 10, 2005.
  • This was a little house, with a ceiling that kept getting higher and higher, a hot place with no windows. This was anger.

    Anger   House   Littles  
    Helen Oyeyemi (2007). “The Icarus Girl”, p.189, Anchor
  • You don’t return people’s smiles—it’s perfectly clear to you that people can smile and smile and still be villains.

    People   Return   Villain  
    Helen Oyeyemi (2014). “Boy, Snow, Bird”, p.8, Pan Macmillan
  • Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.

    Girl   Running   Secret  
    Helen Oyeyemi (2010). “White is for Witching”, p.165, Pan Macmillan
  • Wanderer, there is no road, the road is made by walking. The poem tells me it’s no big deal that I’m not like Snow. I can be another thing; I’m meant to be another thing.

    Snow   Made   Bigs  
    Helen Oyeyemi (2014). “Boy, Snow, Bird”, p.108, Pan Macmillan
  • However awful the storm of my disappointment, it's a response that belongs to me. It's my heart, after all. My territory, my kingdom. And since I'm the only one with the authority to surrender it, I can also take it back.

  • If you should find yourself in a place that is indifferent to you and there is someone there that your spirit stretches to, then that person is kin.

    Helen Oyeyemi (2013). “The Opposite House”, p.162, A&C Black
  • It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too.

    Writing   Play   Giving  
    "Something Just Beyond Words". Interview with Molly McArdle, logger.believermag.com. April 25, 2014.
  • Sometimes I feel weird about time. Sometimes I feel that it doesnt go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.

  • I see all mythology as one tradition, a way of disseminating knowledge that must come to us in code so that we can live sanely with it, since some forms of knowledge are too dark, or too complex, to be plainly spoken. And so we have these weird (and also sometimes entertaining and surprising and heartening) tales that belong to all of us.

    Dark   Way   Sometimes  
    "'Something Just Beyond Words'". Interview with Molly McArdle, logger.believermag.com. April 25, 2014.
  • And without further argument he unsheathed the sword and cleaved Miss Foxe's head from her neck. He knew what was supposed to happen. He knew that this awkward, whispering creature before him should now transform into a princess - dazzlingly beautiful, free, and made wise by her hardship. That is not what happened.

    Helen Oyeyemi (2011). “Mr Fox”, p.67, Pan Macmillan
  • I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.

    Mind   Wish   Looks  
    Helen Oyeyemi (2011). “Mr Fox”, p.40, Pan Macmillan
  • Fairy tales, because they have a very clear structure, are easier to interfere with. Also they have this really weird logic: the kind of logic that you only really experience when youre not feeling very well, or as a child.

  • There were days when he touched the tip of her nose and it was enough, a miracle of plenty.

    Miracle   Noses   Enough  
    Helen Oyeyemi (2011). “Mr Fox”, p.74, Pan Macmillan
  • Would that be dangerous, to not look while being looked at?

    Helen Oyeyemi (2013). “The Icarus Girl”, p.9, Bloomsbury Publishing
  • The first coffee of the morning is never, ever, ready quickly enough. You die before it’s ready and then your ghost pours the resurrection potion out of the moka pot.

    Morning   Coffee   Firsts  
  • Nobody ever warned me about mirrors, so for many years I was fond of them, and believed them to be trustworthy. . .

    Helen Oyeyemi (2014). “Boy, Snow, Bird”, p.6, Pan Macmillan
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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 41 quotes from the Novelist Helen Oyeyemi, starting from December 10, 1984! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!
    Helen Oyeyemi quotes about: Heart