John Ruskin Quotes

On this page you can find the TOP of John Ruskin's best quotes! We hope you will find some sayings from Art critic John Ruskin's in our collection, which will inspire you to new achievements! There are currently 606 quotes on this page collected since February 8, 1819! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
  • Children see in their parents the past, their parents see in them the future; and if we find more love in the parents for their children than in children for their parents, this is sad but natural. Who does not entertain his hopes more than his recollections.

  • If a book is worth reading, it is worth buying.

    John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.306, University of Virginia Press
  • Nothing can be beautiful which is not true.

    John Ruskin, Frederick William Roe (2013). “Selections and Essays”, p.69, Courier Corporation
  • I tell you (dogmatically, if you like to call it so, knowing it well) a square inch of man's engraving is worth all the photographs that were ever dipped in acid... Believe me, photography can do against line engraving just what Madame Tussaud's wax-work can do against sculpture. That and no more. (1865)

  • The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.

  • He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.

    John Ruskin, Louisa Caroline Tuthill (1872). “The True and the Beautiful in Nature, Art, Morals, and Religion, Selected from the Works of John Ruskin”, p.242
  • Humanity and Immortality consist neither in reason, nor in love; not in the body, nor in the animation of the heart of it, nor in the thoughts and stirrings of the brain of it;--but in the dedication of them all to Him who will raise them up at the last day.

    John Ruskin (1858). “The Stones of Venice”, p.41
  • Imperfection is in some sort essential to all that we know of life. It is the sign of life in a mortal body, that is to say, of a state of progress and change. Nothing that lives is, or can be rigidly perfect; part of it is decaying, part nascent.

    John Ruskin (1854). “On the nature of Gothic architecture: and herein of the true functions of the workman in art. Being the greater part of the 6th chapter of the 2nd vol. of 'Stones of Venice'. [48 p.].”, p.14
  • A little group of wise hearts is better than a wilderness full of fools.

    Wise  
    John Ruskin (1866). “The Crown of Wild Olive: Three Lectures on Work, Traffic, and War”, p.187
  • No one can become rich by the efforts of only their toil, but only by the discovery of some method of taxing the labor of others.

  • A great thing can only be done by a great person; and they do it without effort.

  • The actual flower is the plant's highest fulfilment, and are not here exclusively for herbaria, county floras and plant geography: they are here first of all for delight.

  • To use books rightly, is to go to them for help; to appeal to them when our own knowledge and power fail; to be led by them into wider sight and purer conception than our own, and to receive from them the united sentence of the judges and councils of all time, against our solitary and unstable opinions.

    William Makepeace Thackeray, John Henry Newman, Matthew Arnold, John Ruskin, Walter Bagehot (1910). “Essays, English and American: With Introductions and Notes”
  • It is in this power of saying everything, and yet saying nothing too plainly, that the perfection of art consists.

    John Ruskin (1862). “pt. I. Of genral principles. pt. II. Of truth. v. 4. pt. v. Of mountain beauty”, p.352
  • And thus, in full, there are four classes: the men who feel nothing, and therefore see truly; the men who feel strongly, think weakly, and see untruly (second order of poets); the men who feel strongly, think strongly, and see truly (first order of poets); and the men who, strong as human creatures can be, are yet submitted to influences stronger than they, and see in a sort untruly, because what they see is inconceivably above them. This last is the usual condition of prophetic inspiration.

    John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.68, University of Virginia Press
  • Cheerfulness is as natural to the heart of a man in strong health as color to his cheek; and wherever there is habitual gloom there must be either bad air, unwholesome food, improperly severe labor, or erring habits of life.

    John Ruskin (1868). “pt. V: Of mountain beauty”, p.328
  • Always stand by form against force.

    John Ruskin (1872). “The Queen of the Air: Being a Study of the Greek Myths of Cloud and Storm”, p.66
  • Wherever the human mind is healthy and vigorous in all its proportions, great in imagination and emotion no less than in intellect, and not overborne by an undue or hardened pre-eminence of the mere reasoning faculties, there the grotesque will exist in full energy.

    John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.214, University of Virginia Press
  • I wish they would use English instead of Greek words. When I want to know why a leaf is green, they tell me it is coloured by "chlorophyll," which at first sounds very instructive; but if they would only say plainly that a leaf is coloured green by a thing which is called "green leaf," we should see more precisely how far we had got.

    John Ruskin (1800). “The Seven Lamps of Architecture: Also, Lectures on Architecture and Painting; The Study of Architecture; Sesame and Lilies; Unto this Last; The Queen of the Air; The Storm-cloud of the Nineteenth Century”
  • All that we call ideal in Greek or any other art, because to us it is false and visionary, was, to the makers of it, true and existent.

    John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.58, University of Virginia Press
  • I am far more provoked at being thought foolish by foolish people, than pleased at being thought sensible by sensible people; and the average proportion of the numbers of each is not to my advantage.

    John Ruskin, Kenneth Clark (1991). “Selected writings”, Penguin Group USA
  • The sculptor must paint with his chisel; half his touches are not to realize, but to put power into, the form. They are touches of light and shadow, and raise a ridge, or sink a hollow, not to represent an actual ridge or hollow, but to get a line of light, or a spot of darkness.

    John Ruskin (1866). “The seven lamps of architecture”, p.142
  • The path of a good woman is indeed strewn with flowers; but they rise behind her steps, not before them.

    John Ruskin (2006). “Sesame and Lillies: Three Lectures”, p.138, Cosimo, Inc.
  • To give alms is nothing unless you give thought also.

    John Ruskin (2015). “Lectures on Architecture and Painting”, p.66, John Ruskin
  • ... no human actions ever were intended by the Maker of men to be guided by balances of expediency, but by balances of justice.

    John Ruskin (1872). “"Unto this Last": Four Essays on the First Principles of Political Economy”, p.21
  • He only is advancing in life whose heart is getting softer, whose blood warmer, whose brain quicker, whose spirit is entering into living peace. And the men who have this life in them are the true lords or kings of the earth they, and they only.

    John Ruskin (1873). “Sesame and Lilies: Three Lectures”, p.67
  • Another of the strange and evil tendencies of the present day is the decoration of the railroad station... There was never more flagrant nor impertinent folly than the smallest portion of ornament in anything connected with the railroads... Railroad architecture has or would have a dignity of its own if it were only left to its work.

  • Science studies the relations of things to each other: but art studies only their relations to man.

    John Ruskin (1853). “The Stones of Venice: The fall”, p.36
  • Mountains are the beginning and the end of all natural scenery.

    Modern Painters vol. 4, pt. 5, ch. 20 (1856)
  • The first test of a truly great man is his humility. By humility I don't mean doubt of his powers or hesitation in speaking his opinion, but merely an understanding of the relationship of what he can say and what he can do.

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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 606 quotes from the Art critic John Ruskin, starting from February 8, 1819! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!