Kate Mulgrew Quotes
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I think people think I'm accessible. I'm never treated as a star, either by fans or other actors, and I like it like that. I don't get the star treatment. I think that means I'm a good actor. They acknowledge me as a human being, and to me, that's invalua.
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Abortion does not compute with my philosophy.
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Over the course of my career, which is about 40 years, I've visited plenty of prisons and I know what they're like.
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It's not refreshing where there is confusion or any kind of discomfort in a group that has to work that closely together.
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I have a very rich and wonderful personal life, and at its core are my sons.
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I've done a lot of television in life, and I don't remember the last time that I felt so consistently happy [working with Jenji Kohan].
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I am often fond of saying the Trekkers are passionate about a hobby, their hobby is 'Star Trek.' They are by and large very imaginative, very intelligent people, and they certainly have been more than generous to me.
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This is not the 19th century, where actors are expected to play completely opposite roles. We're not typecast, but we're brought in because somebody thinks that it's a good fit, so you make it a better fit.
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Of course, the young male demographic has always been the target demographic for 'Star Trek,' the men ageing fifteen to about twenty-five or thirty, a very tough market to appeal to.
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I think the chemistry on the Orange set is extraordinary and I’m going to risk and say this: I think by virtue of the fact that there are not so many men, we are free to be absolutely authentic. There is a lot of freedom and trust.
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The elegance and the quality - the talent is always in the literature. I start with the word and I base everything on that. It doesn't make any difference to me.
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I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.
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An Edward Povey hangs in my living room and every day I am reminded of his originality, his beauty, and the eternal promise of his craft.
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Life's so brief,” she goes on. “We're, at every juncture, staring mortality in the face. It's the very least we can do if we think it will be of any interest or value, to share the past. And although mine's been crooked, it's also been splendid. It's taught me to be vulnerable and humble, to write this book.
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It's the digital era. What makes it exciting is that it's both the Golden Age of television and the Wild West of television. Something is happening now that's unprecedented, and we know that we're a part of it. What could be more exciting or better than that? You can't lose because you're on the pony and you're staking the claim.
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I was caught in a private cycle of sadness and the only conceivable relief I could find was in the telling.
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Great writing is great writing. It's as simple as all that.
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Execution as punishment is barbaric and unnecessary.
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We are talking about someone who has lived. It must be honored in every respect. The fictional can take any kind of channel - according to the actor's marriage to the character.
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