Osamu Dazai Quotes

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All quotes by Osamu Dazai: Desire Feelings Liars Suffering Waiting more...
  • At times everything grows misty and dark before my eyes, and I feel that the strength of my whole body is oozing away through my finger tips.

    Eye   Dark   Body  
    Osamu Dazai (1968). “The Setting Sun”, p.53, New Directions Publishing
  • As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky.

    Eye   Wind   Sky  
    Osamu Dazai (1973). “No Longer Human”, p.13, New Directions Publishing
  • I was afraid to board a streetcar because of the conductor; I was afraid to enter the Kabuki Theater for fear of the usherettes standing along the sides of the red-carpeted staircase at the main entrance; I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied.

    Osamu Dazai (1973). “No Longer Human”, p.61, New Directions Publishing
  • I must go on living. And, though it may be childish of me, I can't go on in simple compliance. From now on I must struggle with the world. I thought that Mother might well be the last of those who can end their lives beautifully and sadly, struggling with no one, neither hating nor betraying anyone. In the world to come there will be no room for such people. The dying are beautiful, but to live, to survive – those things somehow seem hideous and contaminated with blood.

    Beautiful   Mother   Hate  
  • Then what's a synonym for woman?" "Entrails." "You're not very poetic, are you? Well, then, what's the antonym for entrails?" "Milk.

    Milk   Poetic   Wells  
    Osamu Dazai (1973). “No Longer Human”, p.143, New Directions Publishing
  • I am convinced that those people whom the world considers good and respects are all liars and fakes. I do not trust the world. My only ally is the tagged dissolute. The tagged dissolute. That is the only cross on which I wish to be crucified. Though ten thousand people criticize me, I can throw in their teeth my challenge: Are you not all the more dangerous for being without tags?

    Liars   People   Fake  
    "The Setting Sun".
  • Now I have neither happiness nor unhappiness.Everything passes.That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.Everything passes.

    Osamu Dazai (1973). “No Longer Human”, p.169, New Directions Publishing
  • One day, I went to a soba restaurant outside town, and while I was waiting for the zarusoba I opened an old graph magazine. There was a picture of an exhausted, lonely kneeling woman who wore a checked patterned yukata after the tradegy of a large earthquake. With the intensity of my chest ready to burn up, I fell in love with that poor woman. I also felt a horrifying desire for her. Maybe tragedy and desire are back to back to one another.

  • Labeled a delinquent. That's the only kind of label I want to be crucified under.

    Labels   Want   Kind  
  • In my case such an expression as 'to be fallen for' or even 'to be loved' is not in the least appropriate; perhaps it describes the situation more accurately to say that I was 'looked after.

    Osamu Dazai (1973). “No Longer Human”, p.49, New Directions Publishing
  • Now even if I die, no one will be so grieved as to do himself bodily harm.

    "The Setting Sun".
  • It isn't that I dislike artists, but I can't stand anyone who puts on those ponderous airs of a man of character.

    Character   Men   Artist  
    Osamu Dazai (1956). “The Setting Sun”
  • The world, after all, was still a place of bottomless horror. It was by no means a place of childlike simplicity where everything could be settled by a simple then-and-there decision.

  • The real things are apt to be deviant.

    Osamu Dazai (1968). “The Setting Sun”, p.6, New Directions Publishing
  • Not long ago I learned from a certain person in considerable detail about the worthlessness of your character. All the same, it is you who have given me strength, you who have put the rainbow of revolution in my breast. It is you who have given an object to my life.

    Osamu Dazai (1968). “The Setting Sun”, p.174, New Directions Publishing
  • I have often felt that I would find it more complicated, troublesome and unpleasant to ascertain the feelings by which a woman lives than to plumb the innermost thoughts of an earthworm.

    Phyllis I. Lyons, Osamu Dazai (1975). “The Osamu saga: the autobiographical fiction of Dazai Osamu”
  • I have always shook with fright before human beings. Unable as I was to feel the least particle of confidence in my ability to speak and act like a human being, I kept my solitary agonies locked in my breast. I kept my melancholy and my agitation hidden, careful lest any trace should be left exposed. I feigned an innocent optimism; I gradually perfected myself in the role of the farcical eccentric.

    Osamu Dazai (1973). “No Longer Human”, p.28, New Directions Publishing
  • To fall for," "to be fallen for"--I feel in these words something unspeakably vulgar, farcical, and at the same time extraordinarily complacent. Once these expressions put in an appearance, no matter how solemn the place, the silent cathedrals of melancholy crumble, leaving nothing but an impression of fatuousness. It is curious, but the cathedrals of melancholy are not necessarily demolished if one can replace the vulgar "What a messy business it is to be fallen for" by the more literary "What uneasiness lies in being loved.

    Love   Lying   Fall  
    Osamu Dazai (1973). “No Longer Human”, p.47, New Directions Publishing
  • Last year nothing happened The year before nothing happened And the year before that nothing happened.

    Years   Lasts   Happened  
    Osamu Dazai (1968). “The Setting Sun”, p.37, New Directions Publishing
  • When I pretended to be precocious, people started the rumor that I was precocious. When I acted like an idler, rumor had it I was an idler. When I pretended I couldn't write a novel, people said I couldn't write. When I acted like a liar, they called me a liar. When I acted like a rich man, they started the rumor I was rich. When I feigned indifference, they classed me as the indifferent type. But when I inadvertently groaned because I was really in pain, they started the rumor that I was faking suffering. The world is out of joint.

    Pain   Liars   Writing  
  • All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? - I don't know.

    Osamu Dazai (1973). “No Longer Human”, p.26, New Directions Publishing
  • Addiction is perhaps a sickness of the spirit.

    Osamu Dazai (1968). “The Setting Sun”, p.77, New Directions Publishing
  • Is it not true that no two human beings understand anything whatsoever about each other, that those who consider themselves bosom friends may be utterly mistaken about their fellow and, failing to realize this sad truth throughout a lifetime, weep when they read in the newspapers about his death?

    Two   May   Realizing  
    "No Longer Human". Book by Osamu Dazai, 1948.
  • But happiness is being able to hope, however faintly, for happiness. So, at least, we must believe if we are to live in the world of today.

    Believe   World   Able  
    Osamu Dazai (2013). “Blue Bamboo: Tales by Dazai Osamu”, p.20, BookBaby
  • Any man who criticizes my suicide and passes judgment on me with an expression of superiority, declaring (without offering the least help) that I should have gone on living my full complement of days, is assuredly a prodigy among men quite capable of tranquilly urging the Emperor to open a fruit shop.

    Suicide   Men   Offering  
    Osamu Dazai (1968). “The Setting Sun”, p.159, New Directions Publishing
  • I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind-of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another.

    Osamu Dazai (1973). “No Longer Human”, p.37, New Directions Publishing
  • As for love . . . no, having once written that word I can write nothing more.

    Writing   Written   I Can  
    Osamu Dazai (1968). “The Setting Sun”, p.28, New Directions Publishing
  • To be a friend of the weak-that is the artist's point of departure as well as his ultimate goal.

    Artist   Goal   Departure  
  • Whenever I was asked what I wanted my first impulse was to answer "Nothing." The thought went through my mind that it didn't make any difference, that nothing was going to make me happy.

    Osamu Dazai (1973). “No Longer Human”, p.30, New Directions Publishing
  • Scoundrels [...] simply don't die. The ones who die are always the gentle, sweet, and beautiful people. [...] Scoundrels live a long time. The beautiful die young.

    Beautiful   Sweet   Long  
    Osamu Dazai (1968). “The Setting Sun”, p.10, New Directions Publishing
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    Osamu Dazai quotes about: Desire Feelings Liars Suffering Waiting