Richard Le Gallienne Quotes

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  • Wild oats will get sown some time, and one of the arts of life is to sow them at the right time.

    Art   Oats   Life Is  
    Richard Le Gallienne (2008). “The Quest of the Golden Girl”, p.244, Wildside Press LLC
  • The spiritual element, the really important part of religion, has no concern with Time and Space, temporary mundane laws, or conduct.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • Perhaps we too seldom reflect how much the life of Nature is one with the life of man, how unimportant or indeed merely seeming, the difference between them.

  • All religions have periods in their history which are looked back to with retrospective fear and trembling as eras of persecution, and each religion has its own book of martyrs.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • If Romeo and Juliet make a tragedy of it nowadays, they have only to blame their own mismanagement, for the world is with them as it has never been before, and all sensible fathers and mothers know it.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • The beauty we love is very silent. It smiles softly to itself, but never speaks.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • Time's horses gallop down the lessening hill.

    Richard Le Gallienne, “Time Flies”
  • A wholesome oblivion of one's neighbours is the beginning of wisdom.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • How much more interesting life would be if only more people had the courage and skill to act themselves, instead of abjectly understudying some one else!

    Richard Le Gallienne (1925). “Prose Fancies”
  • Youth, however, can afford to enjoy even its melancholy; for the ultimate fact of which that melancholy is a prophecy is a long way off.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • It is curious how, from time immemorial, man seems to have associated the idea of evil with beauty, shrunk from it with a sort of ghostly fear, while, at the same time drawn to it by force of its hypnotic attraction.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • There is something mean in human nature that prefers to think evil, that gives a willing ear and a ready welcome to calumny, a sort of jealousy of goodness and greatness and things of good report.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • I meant to do my work today But a brown bird sang in the apple tree And a butterfly flitted across the field And all the leaves were calling me.

    Richard Le Gallienne, “I Meant To Do My Work To-Day”
  • There’s too much beauty upon this earth For lonely men to bear.

    Richard Le Gallienne (1913). “The lonely dancer: and other poems”
  • A woman's beauty is one of her great missions.

    Richard le Gallienne (1895). “Prose Fancies (Complete)”, p.82, Library of Alexandria
  • In their work, then, as in their play, men and women are more and more coming to share with each other as comrades, and really the fun of life seems in no wise diminished as a consequence.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • A critic is a man created to praise greater men than himself, but he is never able to find them.

  • On the contrary, woman is the best equipped fighting machine that ever went to battle.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • To all of us the thought of heaven is dear -Why not be sure of it and make it here?No doubt there is a heaven yonder too,But 'tis so far away - and you are near.Men talk of heaven, - there is no heaven but here;Men talk of hell, - there is no hell but here;Men of hereafters talk, and future lives,O love, there is no other life - but here.

  • It is the fine excesses of life that make it worth living.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • All myths that are something more than fancies gain rather than lose in value with time, by reason of the accretions of human experience.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • Modern science, then, so far from being an enemy of romance, is seen on every hand to be its sympathetic and resourceful friend, its swift and irresistible helper in its serious need, and an indulgent minister to its lighter fancies.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • All wines are by their very nature full of reminiscence, the golden tears and red blood of summers that are gone.

    Richard Le Gallienne (2008). “The Quest of the Golden Girl”, p.30, Wildside Press LLC
  • Be it whim or emergency, the modern laboratory is equally at the service of romance, equally ready to gratify mankind with a torpedo or a toy.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • We also maintain - again with perfect truth - that mystery is more than half of beauty, the element of strangeness that stirs the senses through the imagination.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • Though actually the work of man's hands - or, more properly speaking, the work of his travelling feet, - roads have long since come to seem so much a part of Nature that we have grown to think of them as a feature of the landscape no less natural than rocks and trees.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • We have, of course, long since ceased to think of Nature as the sympathetic mirror of our moods, or to imagine that she has any concern with the temporal affairs of man.

    Richard Le Gallienne (1915). “Vanishing Roads, and Other Essays”
  • The road recedes as the traveler advances, leaving a continuous present.

  • Stay the course, light a star, Change the world where'er you are.

  • Celestial spirit that doth roll; The heart's sepulchral stone away, Be this our resurrection day, The singing Easter of the soul - O gentle Master of the Wise, Teach us to say: "I will arise."

    Richard Le Gallienne (1913). “The lonely dancer: and other poems”
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