Stephen King Quotes About Writing
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I identify with the characters very closely. At the same time that I`m outside, writing, I`m also inside, experiencing, and it can be very unsettling.
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I think it is harder to write a story that appeals to the intellect. But, when you tie onto one, you can do it quite deeply. It really depends on the type of idea you have to begin with.
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What really scares me is Alzheimer's or premature senility, losing that ability to read and enjoy and to write. And you do it, and some days maybe aren't so good, and then some days, you really catch a wave, and it's as good as it ever was.
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Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
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The idea that the creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time. Substance abusing writers are just substance abusers — common garden variety drunks and druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer sensibility are just the usual self-serving bullshit. I've heard alcoholic snowplow drivers make the same claim, that they drink to still the demons.
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When you start, it's very cold, an impossible task. But then maybe the characters start to take on a little bit of life, or the story takes a turn that you don't expect ... With me that happens a lot because I don't outline, I just have a vague notion. So it's always felt like less of a made thing and more of a found thing. That's exciting. That's a thrill.
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One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.
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Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
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If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway... You must be prepared to do some serious turning inward toward the life of the imagination, and that means, I'm afraid, that Geraldo, Keith Obermann, and Jay Leno must go. Reading takes time, and the glass teat takes too much of it.
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If you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects. If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway.
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Writing is not life, but I think that sometimes it can be a way back to life.
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I don't want to speak too disparagingly of my generation (actually I do, we had a chance to change the world and opted for the Home Shopping Network instead), but there was a view among the student writers I knew at that time that good writing came spontaneously, in an uprush of feeling that had to be caught at once; when you were building that all-important stairway to heaven, you couldn't just stand around with your hammer in your hand.
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If you want to be a writer, you must do two things above all others: read a lot and write a lot…reading is the creative center of a writer’s life…you cannot hope to sweep someone else away by the force of your writing until it has been done to you.
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You learned to accept, or you ended up in a small room writing letters home with Crayolas.
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Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.
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The road to hell is paved with adverbs.
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Writing is like being in a dream state or under self-directed hypnosis. It induces a state of recall that - while not perfect - is pretty spooky.
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You can approach the act of writing with nervousness, excitement, hopefulness, or even despair - the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
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The real importance of reading is that it creates an ease & intimacy with the process of writing... It also offers you a constantly growing knowledge of what has been done and what hasn't, what is trite and what is fresh, what works and what lies there dying (or dead) on the page. The more you read, the less apt you are to make a fool of yourself with your pen or word processor.
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People seem to think there's a magic formula to writing, i just write 1 word at a time.
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I don't spend the day writing. I'll maybe write fresh copy for two hours, and then I'll go back and revise some of it and print what I like and then turn it off.
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When you write, you want to get rid of the world, don’t you? Of course you do. When you’re writing, you’re creating your own worlds.
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Making people believe the unbelievable is no trick; it's work... Belief and reader absorption come in the details: An overturned tricycle in the gutter of an abandoned neighborhood can stand for everything.
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There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.
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When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
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The great thing about writing is that...you can do all these antisocial things and you get paid for them and nobody ever arrests you because they're all make-believe. Then that way if you were actually ever driven to do any of those things, the pressure's off because you'd have already written them down. It's therapy.
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Stephenie Meyer can’t write worth a darn. She’s not very good.
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Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.
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But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
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For me, good description usually consists of a few well-chosen details that will stand for everything else.
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