Walter Kirn Quotes
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You thought you were found but you realize that you were lost, and someday you may discover that you're lost now.
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The market is the only critic that matters.
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Quiet cunning bested boastful brawn
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Art, art of any kind, shows that folks are trying.
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A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.
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The best critic needn't be right, just interesting.
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Just breathing can be such a luxury sometimes.
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My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
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The best anti-depressant pill for me would be one the size of a house so you could drop it on me and put me out of my misery.
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I love reference books, especially collections of memorable quotations, almanacs, and atlases. Facts to me are like candy or popcorn - small, tasty delights - and I like to gorge on them now and then.
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've always defined a truly alluring story as a journey we're not equipped to take ourselves with a person we're tempted but afraid to emulate. Impostor narratives are exactly that. When they end in disaster, as Clark's did, or as Gatsby's did, we can congratulate ourselves for our own wisdom. We can also experience, safely, at no cost, the terrible thrill of radical self-invention, of trading who we are for who we might be.
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To apologize for your personal absolutes, for what Sandy Pinter calls your “Core Attachments,” means apologizing for your very existence.
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We're all impostors to ourselves. By that I mean that we know instinctively, intimately, the difference between whom we are inside and who we appear to be to others. Most of the time - when we aren't flat lying about something or playing a particularly stylized role in some heightened dramatic situation - this difference between the internal and the external is modest and manageable.
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There are moments when it frightens us, threatening to expose us as inauthentic. Well, the big-time impostors we read about in literature run this risk constantly, flirting with destruction, not just humiliation or embarrassment. It's a spectacle that we can't help but find compelling, and it involves a certain level of courage that we sneakily admire, perhaps.
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A writer turns his life into material, and if you’re in his life, he uses yours, too.
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It's no accident that most self-help groups use 'anonymous' in their names; to Americans, the first step toward redemption is a ritual wiping out of the self, followed by the construction of a new one.
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At the beginning of a novel, a writer needs confidence, but after that what's required is persistence. These traits sound similar. They aren't. Confidence is what politicians, seducers and currency speculators have, but persistence is a quality found in termites. It's the blind drive to keep on working that persists after confidence breaks down.
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Other people's devotions embarrassed me, perhaps because, like other people's kisses, they rarely looked genuine when viewed too closely.
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Most writers' view of the New West is either phony - obsessed with the same tired mythology - or it's obsessed with anti-mythology, ... There's not a lot of realistic, observant writing about the West right now.
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Everyone loves a witch hunt as long as it's someone else's witch being hunted.
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When Loughner himself speaks and we find out his real influences are Spiderman, 'Gnome Chomsky,' Taylor Swift, and Dr. Bronner, then what?
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A writer has a use for his experiences that most civilians simply don't; he or she discerns material in situations that others simply live through. Perhaps there are some who disapprove of this, but without this double consciousness, literature would not get made at all.
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I feel like my head is finally the right size. I feel like it finally fits around my mind.
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He knows, as all the cleverest ones do, that no human being is so interesting that he can't make himself more interesting still by acting retarded at random intervals.
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Memo to extreme partisans: If you can't bring yourselves to love your enemies, can you at least learn to hate your friends?
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Given Loughner's obsession with meaninglessness and language, maybe Foucault & Derrida deserve some fault here, too.
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realized that at a level I'd never been conscious we'd been engaged in a game of wits for years. I suppose most writer-subject pairings are like that. Of course, I'd set aside my plan to write about him [Clark Rockfeller] as soon as I'd gotten to know him some, but now I'd resumed that intention.
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The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialise alone.
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Love is a powerful painkiller.
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Requesting permission from someone to be honest is really a way of accusing the other person of being so demanding or overbearing that you couldn't be honest all along.
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