Acoustics Quotes
The best sayings about Acoustics that you can share on Instagram, Pinterest, Facebook and other social networks!
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I like those older theaters - the acoustics are perfect, I mean, you just have that feel of there's been a thousand shows in there and now you get to be one.
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Write great songs that sound amazing if sung and played on the piano or acoustic guitar. Always encourage sing-alongs! Be prolific! Say "Yes" to new collaborations because you never know where it could lead.
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Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.
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I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
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I think I was around 10 or 11 years of age when I got my first guitar, but I can remember being as young as 3 or 4 watching my father jam on acoustic to his favorite rush and Jimmy Hendrix albums so I have always been around music.
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Acoustic phonetics, which is developing and increasing in richness very rapidly, already enables us to solve many of the mysteries of sound, mysteries which motor phonetics could not even begin to solve.
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Since Pawlow [Pavlov] and his pupils have succeeded in causing the secretion of saliva in the dog by means of optic and acoustic signals, it no longer seems strange to us that what the philosopher terms an 'idea' is a process which can cause chemical changes in the body.
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You take a sound, any sound, record it and then change it's nature by a multiplicity of operations. You record it at different speeds; you play it backwards; you add it to itself over and over again. You adjust filters, echoes, acoustic qualities…you produce a vast and subtle symphony. It's a sort of modern magic. We think there's something in it. Some musicians believe it may become an art form in its own right.
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So acoustic, I don't even need a pick.
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In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
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Geography is crucial for my work. I went to Antarctica and took a studio to several of the main ice fields to make field recordings of ice to create a symphony - acoustic portraits of ice.
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If you play acoustic guitar you're the depressed, sensitive guy.
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I often enjoy singing in an acoustic setting more than an amplified one.
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I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.
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I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.
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What resonates with me now is the acoustic guitar and piano.
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It's important to keep your creative muscle strong and working. My most inspiring method though is just sitting down with an acoustic guitar and coming up with melodies. It's what I've been doing nice I was nine years old.
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It may not be the most popular but there is a place for it. I think about the kind of music I love, acoustic, melodic, and I guess it kind of took a bit of courage on my part to think I could be one of those songwriters.
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I approach playing acoustic guitar more of as a percussive instrument. It's fragile. I don't have a lot of finesse when it comes to my guitar playing.
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We have traveled through space and time. We have been many places. Visited many worlds. And there is good news: the acoustics everywhere are terrific.
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If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.
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I told myself: 'I am surrounded by unknown things.' I imagined man without ears, suspecting the existence of sound as we suspect so many hidden mysteries, man noting acoustic phenomena whose nature and provenance he cannot determine. And I grew afraid of everything around me – afraid of the air, afraid of the night. From the moment we can know almost nothing, and from the moment that everything is limitless, what remains? Does emptiness actually not exist? What does exist in this apparent emptiness?
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To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.
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I really think the acoustics that Gibson's been making for the last ten years or so are as good as any the company has ever produced and that's saying a lot.
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Well, I have been playing electric guitar all these years and acoustic was something new to me.
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Going to high school in rural Florida, we always partied down in the woods. Somebody - one of the rednecks - would leave class and mow a path out to a field, and we'd drive out there. Dude, every party I went to was lit by a bonfire. Acoustic guitar.
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I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.
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I practice on the acoustic guitar a little bit, but I think I have reached the peak of my talent.
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On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.
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Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.
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