Allusion Quotes

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  • To many writers and thinkers, though not to all, another text is, or can be, the most naked and charged of life-forces ... The concept of allusion or analogue is totally inadequate. To Dante these other texts are the organic context of identity. They are as directly about life as life is about them.

    Poetry   Identity   Naked  
  • Fine declamation does not consist in flowery periods, delicate allusions of musical cadences, but in a plain, open, loose style, where the periods are long and obvious, where the same thought is often exhibited in several points of view.

    Views   Long   Musical  
    Oliver Goldsmith (1856). “The Works of Oliver Goldsmith: Comprising His Poems, Comedies, Essays, and Vicar of Wakefield”, p.281
  • The spirit of tanka interests me more than following rigid conventions. As I understand it, the tradition allows a variety of approaches, from simple description and heartfelt expression to classical allusion and evocative wordplay. Succeeding generations rediscover and renew the form so that it retains its vitality.

  • There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.

    Book   Reading   Writing  
    Ralph Waldo Emerson (1981). “The Portable Emerson: New Edition”, p.66, Penguin
  • As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief n 'tradition' or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people.

  • It is a curious fact, but a fact it is, that your witty people are the most hard-hearted in the world. The truth is, fancy destroys feeling. The quick eye to the ridiculous turns every thing to the absurd side; and the neat sentence, the lively allusion, and the odd simile, invest what they touch with something of their own buoyant nature. Humor is of the heart, and has its tears; but wit is of the head, and has only smiles - and the majority of those are bitter.

    Witty   Heart   Humor  
    Letitia Elizabeth Landon (1854). “The Complete Works of L. E. Landon: Containing Romance and Reality, Francesca Carrara, Traits and Trials of Early Life, Ethel Church, the Book of Beauty, Improvisatrice, the Troubadour, Venetian Bracelet, Golden Violet, Vow of the Peacock, Easter Gift, &c., &c”, p.401
  • Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.

  • Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye.

    Eye   Light   Color  
  • One would naturally expect that the Lord Jesus Christ would be sufficiently important to receive ample notice in the literature of his time, and that extensive biographical material would be available. He was observed by multitudes of people, and his own followers numbered into the hundreds (1 Cor. 15:6), whose witness was still living in the middle of the first century. As a matter of fact, the amount of information concerning him is comparatively meager. Aside from the four Gospels, and a few scattered allusions in the epistles, contemporary history is almost silent concerning him.

  • They still believe in God, the family, angels, witches, goblins, logic, clarity, punctuation, and other obsolete stuff.

    Believe   Angel   Stuff  
  • There is creative reading as well as creative writing.

    Ralph Waldo Emerson, Alfred R. Ferguson (1965). “Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, Volume V: 1835-1838”, p.233, Harvard University Press
  • An allusion has been made to the Homestead Law. I think it worthy of consideration, and that the wild lands of the country should be distributed so that every man should have the means and opportunity of benefitting his condition.

    Abraham Lincoln, Ulysses S. Grant, William T. Sherman, James Ford Rhodes, John Esten Cooke (2017). “CIVIL WAR – Complete History of the War, Documents, Memoirs & Biographies of the Lead Commanders: Memoirs of Ulysses S. Grant & William T. Sherman, Biographies of Abraham Lincoln, Jefferson Davis & Robert E. Lee, The Emancipation Proclamation, Gettysburg Address, Presidential Orders & Actions”, p.568, Madison & Adams Press
  • When in company with literary women, make no allusions to 'learned ladies,' or 'blue stockings,' or express surprise that they should have any knowledge of housewifery, or needle-work, or dress; or that they are able to talk on 'common things.' It is rude and foolish and shows that you really know nothing about them, either as a class or as individuals.

    Eliza Leslie (1839). “Miss Leslie's Behaviour Book: A Guide and Manual for Ladies as Regards Their Conversation; Manners; Dress; with Full Instructions and Advice in Letter Writing [[]; Receiving Presents; Incorrect Words”, p.259
  • This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.

    Source: www.interviewmagazine.com
  • Everything in dancing is style, allusion, the essence of many thoughts and feelings. The abstraction of many moments.

  • There is something underwhelming about scholarly hate mail - the sad literary allusions, the refusal to use contractions.

    Hate   Use   Mail  
    Brock Clarke (2007). “An Arsonist's Guide to Writers' Homes in New England: A Novel”, Algonquin Books
  • You can't understand European history at all other than through religion, or English literature either if you can't recognise biblical allusions.

  • Children have no use for psychology. They detest sociology. They still believe in God, the family, angels, devils, witches, goblins, logic, clarity, punctuation, and other such obsolete stuff. When a book is boring, they yawn openly. They don't expect their writer to redeem humanity, but leave to adults such childish allusions.

    Children   Believe   Book  
  • Paltry affectation, strained allusions, and disgusting finery are easily attained by those who choose to wear them; they are but too frequently the badges of ignorance or of stupidity, whenever it would endeavor to please.

    Oliver Goldsmith (1819). “Letters From A Citizen Of The World: To His Friends In The East”, p.135
  • I think we must quote whenever we feel that the allusion is interesting or helpful or amusing.

    Clifton Fadiman (1957). “Any Number Can Play”, Cleveland : World Publishing Company
  • I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."

    Source: www.guernicamag.com
  • I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record.

    Success   Fun   Records  
  • When I die Bookchinism comes to an end, and all the allusions to it both among Marxists and anarchists.

    Source: robertgraham.wordpress.com
  • I am seventy years old, a gray age weighted with uncompromising biblical allusions. It ought to have a gray outlook, but it hasn't, because a glint of dazzling sunshine is dancing merrily ahead of me.

  • I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.

    Reading   People   Brain  
    Source: www.guernicamag.com
  • All literature, highbrow or low, from the Aeneid onward, is fan fiction....Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving--amateurs--we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers--should we be lucky enough to find any--some of the pleasure that we ourselves have taken in the stuff that we love: to get in on the game. All novels are sequels; influence is bliss.

    Taken   Greatness   Games  
  • The absolutely Non-Manifested cannot be designated by any expression which could limit It, Separate It, or include It. In spite of this, every allusion alludes only to Him, every designation designates Him, and He is at the same time the Non-Manifested and the Manifested.

  • A mere index hunter, who held the eel of science by the tail. Index-hunter is a term used mockingly, meaning one who acquires superficial knowledge merely by consulting indexes. The '[holding] the eel of science by the tail' allusion was used in 1728 by Alexander Pope (q.v.).

  • When two minds of a high order, interested in kindred subjects, come together, their conversation is chiefly remarkable for the summariness of its allusions and the rapidity of its transitions. Before one of them is half through a sentence the other knows his meaning and replies. ... His mental lungs breathe more deeply, in an atmosphere more broad and vast.

    Science   Order   Two  
  • This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

    Distance   Spy   Use  
    Jean Baudrillard (1998). “The Consumer Society: Myths and Structures”, p.121, SAGE
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