Animator Quotes

On this page you will find all the quotes on the topic "Animator". There are currently 114 quotes in our collection about Animator. Discover the TOP 10 sayings about Animator!
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  • People are mystified by it and so they kind of think, the acting community thinks they're gonna be replaced by CG characters and animators think they're gonna be replaced by performance capture (and) a lot of directors, particularly European directors, who have no experience of it.

    Source: collider.com
  • Nine times out of ten, I'm trying to meet someone else's expectations, whether it's the director or the writer or the animator, when I go back in to re-record a line. I'm the icing on the cake, but the cake is the thing. I'm really just a hood ornament on a very solid vehicle.

    Source: collider.com
  • Why fit in when you were born to stand out?

  • I decided I wanted to be a painter, and then that moved into wanting to be an animator. By adolescence, I just wanted it to be something that was important...something that would make a difference in people's lives or leave an imprint in history.

    Source: www.justjared.com
  • You know, the only way I've found to make these pictures is with animators. You can't seem to do it with accountants and bookkeepers.

  • I've done animated TV stuff, but I'd never done animated film work, which is much more involved and much more labor intensive. The animators are much more meticulous and detailed. It's just been really fun and really satisfyingly creative.

    Fun   Creative   Tvs  
    Source: collider.com
  • I am in no sense of the word a great artist, not even a great animator; I have always had men working for me whose skills were greater than my own. I am an idea man.

  • Disney was not a good animator, he didn't draw well at all, but he was always a great idea man, and a good writer.

    Men   Ideas   Wells  
    Chuck Jones, Maureen Furniss (2005). “Chuck Jones: Conversations”, p.161, Univ. Press of Mississippi
  • I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.

    "Exclusive: Andreas Deja Talks the Animation of 101 Dalmatians". Interview with Brian Gallagher, movieweb.com. March 04, 2008.
  • We exchanged a couple of ideas and stuff like that, but that's about it. I just think ... consulting on 'Tintin' was very interesting because you try to ... not educate, but inform the animators [about] what the lighting looks like, but [in the end] they do it themselves. I don't actually go and sit there with them. [We] just had a couple of conversations.

    Couple   Thinking   Ideas  
    Source: screenrant.com
  • You're off to Great Places! Today is your day! Your mountain is waiting, So... get on your way!

    Theodor Seuss Geisel, “Oh, The Places You'll Go”
  • When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.

    Eye   Giving   Over You  
    "'Andi Mack' star Joshua Rush talks Houston, voicing Bunga in 'The Lion Guard'". Interview with Joey Guerra, www.chron.com. April 26, 2017.
  • At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.

    Interview with Ken P., www.ign.com. July 21, 2003.
  • It is a curious thing that the more the world shrinks because of electronic communications, the more limitless becomes the province of the storytelling entertainer.

  • I love the nostalgic myself. I hope we never lose some of the things of the past.

    Memories   Future   Past  
  • Joanna Priestley’s amazing body of animated films have deservedly earned their place in the pantheon of contemporary international animators. Inventively visioned, superbly crafted, and rich with insight into the physical and spiritual dilemmas that confront us all, each new work provides an unexpected pleasure.

  • I have friends and illustrators who can't stand drawing on the Cintiq. [A graphic pad tablet used by digital animators] There's a certain tension and friction when you draw on paper that they miss. The tablet is very slick. It's like drawing on glass. But that didn't bother me at all.

    Source: www.avclub.com
  • A dream is a wish your heart makes, when you're fast asleep.

    Dream   Love You   Heart  
    "Fictional character: Cinderella". "Cinderella", www.imdb.com. 1950.
  • The Catholic Church sees voluntary vampirism as a kind of suicide. I tend to agree. Though the Pope also excommunicated all animators, unless we ceased raising the dead. Fine; I became Episcopalian.

    Laurell K. Hamilton (2002). “Guilty Pleasures: An Anita Blake, Vampire Hunter Novel”, p.118, Penguin
  • I grew up near Disneyland, and my brother's an animator, so I was always really inspired by bright, cartoony colors and that whole feeling of happiness.

  • Honestly, every person, every individual has a process, and my philosophy, whether it's an actor or an animator, is you try to understand the process that person has so you can get the most out of them, but I think you have to sort of manipulate that process with honesty.

  • Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".

    Source: www.interviewmagazine.com
  • I still have the same outlook on things that I did 10, 20 years ago. As an animator, there’s no career path that you can follow; there’s very few people doing this that you can look to and pinpoint the mistakes. It hasn’t changed since I was little. You have interests and follow them and strange things happen, organically or not.

    Mistake   Years   Careers  
    "Don Hertzfeldt’s Animated Short “It’s Such A Beautiful Day” Screens At IFC". Interview with Kathleen Massara, www.huffingtonpost.com. March 26, 2012.
  • Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.

  • I do not draw any of the pictures for my movies as an animator. The reason for that is that I am terribly lucky to have many staff members who I look up to, and who are overflowing with talent, that work with me on each project.

    Lucky   Looks   Talent  
    Source: blogs.indiewire.com
  • The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!

    Running   Car   Work Out  
    Source: www.denofgeek.com
  • Animators have to live life 24 times as long as we do - every 24 frames of a second.

  • I decided to work on hand animate because the animators work as authors in every little scene and it brings real soul for characters.

    Real   Character   Hands  
    Source: blogs.indiewire.com
  • People used to want to be filmmakers and animators; now they want to make apps.

    People   Want   Apps  
  • In a comic strip, you can suggest motion and time, but it's very crude compared to what an animator can do. I have a real awe for good animation.

    Real   Comic   Animation  
    Source: www.tcj.com
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