Audience Quotes
The best sayings about Audience that you can share on Instagram, Pinterest, Facebook and other social networks!
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In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about.
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I always say, or have said in the past, that ninety-nine and forty-four-hundredths of the audience does not pay any attention to the lighting, but one hundred percent is affected by it.
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I have often felt that I cheated my children a little. I was never so totally theirs as most mothers are. I gave to audiences whatbelonged to my children, got back from audiences the love my children longed to give me.
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The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.
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I didn't realize then that so much of being adult is reconciling ourselves with the awkwardness and strangeness of our own feelings. Youth is the time of life lived for some imaginary audience
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It's always an inner wish of every actor to reach out to maximum audiences.
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I like playin' for an audience the best, though, I think
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I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
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In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!
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Cable penetrates 70 percent of American audiences now.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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Our team isn’t changing. … And our mission – to empower creators to make their best work and get it in front of the audience they deserve – certainly isn’t changing.
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Once you stay true to just having a good time and being honest to your fans and your audience, you can't go wrong.
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When I wrote 'Marley & Me,' I had a clear audience in mind. And it did not include children. I wrote my book for adults and assumed only adults, and possibly teenagers, would be drawn to it.
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I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
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I think the experience of getting an audience a little bit tense and shocking them with a jump scare, and then moving on it can be cheap and easy. The harder thing is to get them unnerved and disturbed in a growing way. That starts off easy and increases all the way through the picture.
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If you practice for ten years, you may begin to please yourself, after 20 years you may become a performer and please the audience, after 30 years you may please even your guru, but you must practice for many more years before you finally become a true artist-then you may please even God.
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The audience is the source of the energy that I project back to them.
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However, I think that sometimes when shows do, you know, have a good season or a bad season, it comes down to something as simple as the crop of contestants that year, and do they break through in a way that makes the audience excited. Those are the kinds of things that tend to make a difference, more so than tweaks to the format and that sort of stuff, as much as we, obviously, would all like to try to assume that it's in our power.
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It is my custom to keep on talking until I get the audience cowed.
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Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
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The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.
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Judging from the way they sat and goggled at the drag on the stage it was obvious that they were indulging in delightful fantasies that brought to them substantial memories of the girls they had left behind in London or Manchester. As the Quartermaster Captain lisped after performing before a particularly rapt audience: 'I bet there were more standing pricks than snotty noses tonight'. Astonishingly, I suspect he was right. We probably helped to keep the home fires of passion burning.
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When I started 'DailyGrace,' I was dating a 26-year-old guy I thought was the funniest person in the world. My creation process every day was imagining him watching my videos and wondering, 'Will he laugh at this?' But somehow that's turned into an audience that's mostly 15-year-old girls.
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Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
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Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.
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It is conceivable that what is unified form to the author or composer may of necessity be formless to his audience.
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With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
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I have had an inordinate and painful concern for the audience in my writing career.
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We're starting with our own carbon footprint. Not nothing. But much of what we're doing is already, or soon will be, little more than the standard way of doing business. We can do something that's unique, different from just any other company. We can set an example, and we can reach our audiences. Our audience's carbon footprint is 10,000 times bigger than ours... That's the carbon footprint we want to conquer.
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Top Authors
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Rupert Grint Actor -
Sam Neill Actor -
Sam Trammell Actor -
Russell Freedman Author -
Sally Edwards Author -
Sally Nicholls Author -
Russell Howard Comedian -
Sameh Shoukry Diplomat
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Ryan Blair Entrepreneur -
Samantha Mathis Film actress -
Russell Boyd Film cinematographer -
S. R. Nathan Former President of Singapore -
Samuel Warren Carey Geologist -
Ryan Miller Ice hockey player -
Sarah Richardson Interior Decorator -
Ryszard Kapuscinski Journalist -
Ryu Murakami Novelist -
Santiago Ramon y Cajal Pathologist -
Sam Haskins Photographer -
Samuel Daniel Poet -
Ruth Perry Political leader -
Samiyam Record producer -
Ruth Warrick Singer -
Ruth Brown Singer-songwriter -
Sabrina Bryan Singer-songwriter -
Sam Cooke Singer-songwriter -
Sarah Lancashire Television actress
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