Baudelaire Quotes
The best sayings about Baudelaire that you can share on Instagram, Pinterest, Facebook and other social networks!
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Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
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In a way Poe was a big influence for Conan Doyle to create Sherlock Holmes. I think he really did influence many artist of the time like Baudelaire, who was a big fan of Poe, and who was the one that brought attention to Poe's work in Europe.
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Robert Scott Leyse channels Baudelaire's Queen of Spades and Jack of Hearts, speaking darkly of dead loves, in this new book. He also reminds me of James Purdy's notorious eccentricity. There's plenty of middlebrow stuff if you want it. Self-Murder isn't that.
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Baudelaire's L'Héautontimorouménos was long seen to be a sexual sadomasochistic poem, it is now generally accepted that the poem is about writing poetry.
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At university, I had been obsessed with reading about the lives of Rimbaud and Baudelaire, and I was steeped in the crazy poets, and I came to view my early subjects through that prism.
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Artists are people who are subject to irrational convictions of the sacred. Baudelaire said that an artist is a child who has acquired adult capacities and discipline. Art education should help build those capacities and that discipline without messing over the child.
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If you are interested in happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters.
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I am certain that over the course of your own life, you have noticed that people's rooms reflect their personalities. In my room, for instance, I have gathered a collection of objects that are important to me, including a dusty accordion on which I can play a few sad songs, a large bundle of notes on the activities of the Baudelaire orphans, and a blurry photograph, taken a very long time ago, of a woman whose name is Beatrice. These are items that are very precious and dear to me.
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...then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance. --from The Chronicles of Abby Normal
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In the time since the Baudelaire parents' death, most of the Baudelaire orphans' friends had fallen by the wayside, an expression wich here means "they stopped calling, writing, and stopping by to see any of the Baudelaires, making them lonely". You and I, of course, would never do this to any of our grieving acquaintances, but it is a sad truth that when someone has lost a loved one, friends sometimes avoid the person, just when the presence of friends is most needed.
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We have plenty to learn from the numerous ants. Sawako Nakayasu-writer, antologist, Baudelaire's sister-turns daily life inside out and upside down then puts it into perfect little boxes. Here we follow the lines of black legged, syntactical units-the words-as they cross and they tickle the heart of the matter with us.
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And a refrigerator may hold a basket of strawberries, which would be important if a maniac said to you, "If you don't give me a basket of strawberries right now, I'm going to poke you with this large stick." But when the two elder Baudelaires and Quigley Quagmire opened the refrigerator, they found nothing that would help someone who was wounded, dying of thirst, or being threatened by a strawberry-crazed, stick-carrying maniac.
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E!" Klaus cried. "E as in Exit!" The Baudelaires ran down E as in Exit, but when they reached the last cabinet, the row was becoming F as in Falling File Cabinets, G as in Go the Other Way! and H as in How in the World Are We Going to Escape?
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He was prepared to die for it, as one of Baudelaire's dandies might have been prepared to kill himself in order to preserve himself in the condition of a work of art, for he wanted to make this experience a masterpiece of experience which absolutely transcended the everyday. And this would annihilate the effects of the cruel drug, boredom, to which he was addicted although, perhaps, the element of boredom which is implicit in an affair so isolated from the real world was its principle appeal for him.
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Get out of my way, you cakesniffers!” said a rude, violent, and filthy little girl, shoving the Baudelaire orphans aside as she dashed by.
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To handle a language skillfully is to practice a kind of evocative sorcery.
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I think it's basically quite different from dreams. If only cinema was that easy. Because dreams, all you have to do is fall asleep, and you can have fantastic vision. I know Baudelaire and people like that enhance their dreams with opium or something. But films are very constructed - they're like architecture. They're pieced together, glued together. To me, it's a craft. It's like making a tapestry.
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Johnny Depp is like a brother to me. We have matching tattoos on our backs - Charles Baudelaire, the flowers of evil, this giant skeleton thing. It's kind of a secret. People say to us, 'Why did you get that?' And we say, 'No reason.'
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When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
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The beautiful is always bizarre.
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Baudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.
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Barrie and the wonderful characters he created, Lewis Carroll, even French literature, like Baudelaire or over in the States, Poe, you open those books, you open The Flowers of Evil and begin to read. If it were written today, you'd be absolutely stupefied by the work. It's this incredible period where the work is timeless, ageless. So yeah, I just love all those guys. It's my deep passion in those great 19th century writers.
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As Baudelaire said it so beautifully, Emma Bovary is an androgynous character. She cannot be reduced to a gender or a sociological type. She represents something bigger than herself. That was the genius of Flaubert: the ability to combine the general and the particular.
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But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...
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Klaus sighed, and opened a book, and as at so many other times when the middle Baudelaire child did not want to think about his circumstances, he began to read.
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Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all.
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The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.
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An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
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Nations, like families, have great men only in spite of themselves.
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Waiting is one of life's hardships. It is hard enough to wait for chocolate cream pie while burnt roast beef is still on your plate. It is plenty difficult to wait for Halloween when the tedious month of September is still ahead of you. But to wait for one's adopted uncle to come home while a greedy and violent man is upstairs was one of the worst waits the Baudelaires had ever experienced.
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