Beginning Middle And End Quotes
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Every concept should have a beginning, middle and end.
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Film is cool because it's an hour and a half to two hours. It's a great ride. It's typically three acts - beginning, middle and end. It's going on an adventure and by the end it's all cleaned up.
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Anything that exists on a time basis - that has a beginning, middle, and end, because you start watching it and then you're in the middle of watching it and then it ends - anything linear, for me, is narrative.
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Now there cannot be first principles for men, unless the Divinity has revealed them; all the rest--beginning, middle, and end--isnothing but dreams and smoke.
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Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.
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Wherever we turn in the church of God, there is Jesus. He is the beginning, middle and end of everything to us.
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Great is the art of beginning, but greater is the art of ending.
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The thing should have plot and character, beginning, middle and end. Arouse pity and then have a catharsis. Those were the best principles I was ever taught.
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A sermon without Christ as its beginning, middle, and end is a mistake in conception, a crime in execution.
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Some stories don't have a clear beginning, middle and end.
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With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.
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There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
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I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.
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The beginning, middle, and end of the birth, growth, and perfection of whatever we behold is from contraries, by contraries, and to contraries; and whatever contrariety is, there is action and reaction, there is motion, diversity, multitude, and order, there are degrees, succession and vicissitude.
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If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.
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I think stories do have an ending. I think they need to have an ending eventually because that is a story: a beginning, middle and end. If you draw out the end too long, I think storytelling can get tired.
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I think, often times, it's the audience that suffers when a show isn't given the opportunity to have a beginning, middle and end.
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I think as a filmmaker you try not to have any expectations other than that the film have a fairly substantial beginning, middle and end.
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I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle and end.
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The life of "peace" is both an inner journey toward a disarmed heart and a public journey toward a disarmed world. This difficult but beautiful journey gives infinite meaning and fulfillment to life itself because our lives become a gift for the whole human race. With peace as the beginning, middle, and end of life, life makes sense.
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Every new beginning comes from some other beginning's end.
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Someone did us all a grave injustice by implying that mourning has a distinct beginning, middle, and end.
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Songwriters are expanding time rather than compressing time. My short stories tend to be old fashioned, with a beginning, middle and end.
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A story should have a beginning, a middle and an end, but not necessarily in that order.
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Now why, if freedom is striven after for love of the I after all - why not choose the I himself as beginning, middle, and end?
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I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.
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The other great thing about it, that seems to be the case in streaming, is that a lot more scripts are written before you start. Because they are planning on allowing it all up at one time, you have four or five scripts to read and an outline of where it's going to go. The writers aren't chasing their tails as much. You're able to see the beginning, middle and end of a storyline, and that is rare. Streaming allows that, in a way that network TV doesn't.
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The beginning, middle, and end are parodied, reversed, and hidden by modernism, but not abandoned.
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Arguments are often like melodramas - they have a predictable beginning, middle, and end.
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At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
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