Camera Angles Quotes
The best sayings about Camera Angles that you can share on Instagram, Pinterest, Facebook and other social networks!
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Drama is life with the dull bits cut out.
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If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
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I came out of the womb looking for the camera angle
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
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It's fun to watch a true-blue movie star at work. They're really unbelievably charismatic. They understand camera angles.
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If you continue to act now and be a member of the WWE Universe, you will see the same footage from... another... camera angle.
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It's strange, the lack of emotion, the absence of drama in reality. When things happen in real life, extraordinary things, there's no music, there's no dah-dah-daaahhs. There's no close-ups. No dramatic camera angles. Nothing happens. Nothing stops, the rest of the world goes on.
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I've realized that a lot of people go to see film or theater with a different expectation. I have a friend who's an actor and I can't stand watching movies with him because he never quite allows himself to just watch the story. He'll comment on the lighting, he'll comment on the [camera] angle. I'm not saying there's a wrong way to watch it - maybe that's helpful to him - but to me, you're getting way too caught up in the technical aspects.
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You don't rehearse jazz to death to get the camera angles.
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There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
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I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.
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The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
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I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
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I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.
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Kissing scenes are never romantic or sexy, they're actually super technical, like, "Move your head, you're blocking her light," or, "Stop looking like an idiot when you kiss her." You do it again and again because of the camera angles and takes and whatnot. So by the end of it, it's not even kissing. All the anything is totally drained out of it.
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For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job
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I don't need interesting camera angles, I am interesting.
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Top Authors
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Anupam Kher Actor -
Arrian Author
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Antony Tudor Ballet choreographer -
Auguste Laurent Chemist -
Aphra Behn Dramatist -
Ashley Benson Film actress -
Armond White Film critic -
Anthony Lane Journalist -
Ari Shapiro Journalist -
Arthur Dean Lawyer -
Apollonius of Tyana Philosopher -
Arthur Tress Photographer
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Arthur Symons Poet -
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Arthur Godfrey Radio Broadcaster -
Ardel Wray Screenwriter
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Anthony Douglas Short Track Speed Skater
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Arthur Ashe Tennis player -
Avi Rubin University Professor -
Arnold Adoff Writer -
Arthur Frommer Writer -
Arthur Guiterman Writer
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