Choreography Quotes
The best sayings about Choreography that you can share on Instagram, Pinterest, Facebook and other social networks!
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When you dance, your purpose is not to get to a certain place on the floor. It's to enjoy each step along the way.
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When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
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Music. Close your eyes and it's a rosebush blooming in time lapse so that it shoots and blossoms flow outward in a swift choreography of growth and collapse, twine and coil, release and fade. Close your eyes and music paints light vines and calligraphy on the darkness within you.
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The planet isn't improvising, it's creating dynamic tensions between complex living systems in a planetary choreography, a balancing act between physical, chemical, biological, environmental, and human components.
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Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother's suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.
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You are not a female or a male - you are a dancer. And when I started going into choreography I became part of a team of people making movies. I wasn't a woman choreographer. I was a choreographer.
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Stronach's fragile beauty belies an emotional strength, pragmatic resiliency, and intellectual courage. Her ideas and choreography are both enigmatic and playful.
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The choreographer cannot deliberately make a ballet to appeal to an audience, he has to start from personal inspirations. He has to trust the ballet, to let it stand on its own strengths or fall on its weaknesses. If it reaches the audience, then he is lucky that round!
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Stay hungry to become the best that you can be. Never be satisfied with the level of artistry you've attained. You can always be better.
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I'm not going to say it's easy, but I do have an ease with picking up fight choreography because of my dance training.
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In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
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I often say that in making dances I can make a world where I think things are done morally, done democratically, done honestly.
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Choreography and creativity - it's my matrix; let's see where we can move.
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Chaos comes before all principles of order & entropy, it's neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own facelessness, like clouds.
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Directing is very close to choreography; you deal with space, time, emotions, lighting, making beautiful images.
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Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
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Dances without purpose have false starts and stops.
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There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
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Dance is a song of the body. Either of joy or pain.
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I wanted to show that 'I'm sexy'. I wanted to do things that other male solo artists hadn't done before, such as choreography that has a tempting allure.
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Dance is the only art of which we ourselves are the stuff of which it is made.
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Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.
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I am absolutely desperate to do an action movie. And not to blow my own trumpet or anything, but I actually think I'm good at it. I did it all. I was really into the routines and the choreography. I used to dance when I was younger, and so I think that came in handy.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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It's so tiring. Even though I've worn heels and performed the choreography for four years now, I'm still not used to it. When will I be used to it? In 10 years? In 20 years?
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I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.
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Composition and choreography were always very important to me and I choreographed for my earliest training.
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The media was, 'Oh my God, you're gay,' and I'm like yes -- I've been out my whole life to my family and friends. Everyone in the skating community knew. But just because I won the national title, it's like, 'Oh, my God, you're gay.' The judges would say, 'You have to tone down your costumes, your choreography,' and I'm like, 'No . . .' I wanted to skate for the audiences, not for the judges.
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Dancing is such a despised and dishonored trade that if you tell a doctor or a laywer you do choreography he'll look at you as if you were a hummingbird. Dancers don't get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.
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War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.
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