Cirque Du Soleil Quotes
The best sayings about Cirque Du Soleil that you can share on Instagram, Pinterest, Facebook and other social networks!
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I don't believe in pitfalls. I believe in taking risks and not doing the same thing twice.
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I like to not be too involved in the beginning and during the process so as to keep this fresh look and be able to give constructive recommendation on the final production.
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When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.
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We are in a position of financial and social power, and we could be agents of change in our society. Without pretension, I believe we could be a nice little gardener who takes care of the garden, and hopefully our neighbor will do the same. Then, maybe we'll achieve a better world.
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I'm starting on Cirque du Soleil Michael Jackson show. So it's the equivalent of the Beatles' Love show they have, or the Elvis show. Which is exciting and terrifying all at the same time because it's such a huge responsibility. But that's why I took it on, because Mike was such a huge part of my career and life. we were friends for 20 years before he passed, since I was seven. So it's an opportunity for me to give back a little bit to his legacy.
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Inside every adult there's still a child that lingers.
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I am blessed for what I have, but I believed in it from the beginning. Today, the dream is the same: I still want to travel, I still want to entertain, and I most certainly still want to have fun.
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I believe in pulling yourself up by your own bootstraps. I believe it is possible — I saw this guy do it once in Cirque du Soleil. It was magical.
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I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
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We had every problems starting a big top could have. The tent fell down on the first day. We had problems getting people into the shows. It was only with the courage and arrogance of youth that we survived.
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Our approach was very simple. It was about creating a universal language. A show that will be attractive toward every people coming from all over the world. And that was a big thing.
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We didn't reinvent the circus. We repackaged it in a much more modern way.
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Well, I had an immense respect for Cirque du Soleil when I first say them in the '80s on a television show and just thought, you know, this group is really reinventing the circus, as you know. Because there wasn't three rings. There were no animals.
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Our biggest goal is to continue to force ourselves to always start our creative work on a white page and not take advantage of past successes and challenging ourselves.
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Years ago nudity was not done in the United States. But during that late 1950s era in Vegas it began at the Tropicana, and spread to the other venues. Now the showgirls are going away again and Cirque du Soleil, the magic acts and the animal acts reign in Las Vegas. But I don't think you'll completely lose the boobie shows.
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I have seen many successful people fail after they start fearing they might lose what they have built.
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We are each but a quarter note in a grand symphony.
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I believe in nurturing creativity and offering a haven for creators, enabling them to develop their ideas to the fullest. With more and more talented creators being drawn to Cirque in an environment that fulfills them, these are ideal to continue developing great new shows.
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Inside every adult there's still a child that lingers. We're happiness merchants - giving people the opportunity to dream like children.
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Business is difficult. But it could be approached two ways: Seriously, or with the same way you're doing your job, with entertainment aspect, with pleasure, with fun. And we decided to try to make it as fun that we do our creativity.
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The sun stands for energy and youth, which is what I thought the circus should be about.
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