Collaborators Quotes
The best sayings about Collaborators that you can share on Instagram, Pinterest, Facebook and other social networks!
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Ultimately, you just have to do what feels right for the film. It really helps when you have great collaborators like my editor, Eduardo Serrano, who kept telling me various scenes should be longer.
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Only the closest collaborators of the Fuehrer know how difficult is the burden of this responsibility; how sorrowful are the hours during which decisions must be made which bear upon the well being and the fate of all of Germany
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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Finlay was the godfather of a problem that's rampant everywhere today. He called the people who made his work 'collaborators'... nowadays it's 'fabricators'... talented people who are grateful, desperate and thwarted. There's plenty of them.
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In terms of talking with my collaborators as they came onboard - Jeannine Oppewall, our production designer, Dante Spinotti, our cinematographer, and so forth - I said to them, "Let's pretend that this is a place like Honolulu. Let's ignore the fact that all these other movies have been made here for decades and try to come at it with a fresh eye, as if it were an exotic city that people aren't that familiar with. And let's present our own view of it, create a world that's unique to this movie [L.A Confidential].
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I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.
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The unconscious is our best collaborator.
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Now you have to be a collaborator and you have to bring on governments and convince people.
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Those women who had gone out with Germans were grabbed and treated very badly, often shaved totally bald so that everyone could see who they were. Some were taken prisoners. There had been so much suffering during the war because of the betrayal of those collaborators, so many killed and hurt because of what they had done to families, that the mood for revenge against the traitors was very high. It was not right, but it was understandable.
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Prostitution is the supreme triumph of capitalism. When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women, for the moral tarring and feathering they give indigenous women who have had the bad luck to live in what they make their humping ground.
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I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.
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Treating your audience like thieves is absurd. Anyone who chooses to listen to our music becomes a collaborator.
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I could have an office all to myself but since my collaborators don’t have one, then I too am contented to have a desk in a shared room.
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I'm glad I went through the training because I've met such great mentors and lifelong friends/collaborators along the way. Also, any training (acting, movement, dance, piano, singing, etc) allowed me to hone my skills and find an inner space of self-generating creativity.
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One person can't know or like everything, so an editor needs collaborators whose opinions and expertise he values and can trust.
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I've been very fortunate in my collaborators throughout my career.
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God is at the tip of our scalpels, our screwdrivers, our computer terminals, our dust rags, our vacuum cleaners, our pencils and pens. He is with us in our wheelchairs, or on our hospital beds, when all we can do is sit or lie flat. When we envision Him and His purpose in what we do, then we begin to grow aware of His presence in the middle of it. We are able to engage in our inward conversation with Him as we work, naturally, without strain. He becomes our partner, our collaborator.
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Bethann Hardison has been my collaborator, my closest friend, we've gone through starting businesses, losing businesses, kids, divorces, marriages, and she was my maid of honor when I married my husband, David Bowie. And she's still such a part of my life. This is the person when it's totally dark, outside and inside, this is the person I would call.
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Working with (new collaborators) and letting people in to try new melodies and new lyrical ideas was very hard.
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A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.
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3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
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You have to know that your collaborators want you to make the movie that you want. Don't back down because you think it's nice to them. You need to have the film be the way that you want it.
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With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'
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When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women.
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I did not set out to explain the extinction of the dinosaurs. I'm a particle physicist, and I was actually thinking about dark matter along with some collaborators.
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It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears.
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You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
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I like it when someone tells me: 'I don't agree.' This is a true collaborator. When they say 'Oh, how great, how great, how great,' that's not useful.
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She’d survived the Drowned Cities because she wasn’t anything like Mouse. When the bullets started flying and warlords started making examples of peacekeeper collaborators, Mahlia had kept her head down, instead of standing up like Mouse. She’d looked out for herself, first. And because of that, she’d survived.
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Directing is a terrible, anxious process. It's all collaboration, and if you have a dream, it's diluted very quickly by the slightest ineptness in any of your collaborators. They're supposed to help you, but too often they help you into your grave.
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