Comedy Clubs Quotes
The best sayings about Comedy Clubs that you can share on Instagram, Pinterest, Facebook and other social networks!
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If I'm not on tour, I can run down to the comedy club and do a little stand-up. If you're an actor, you can't go - I guess there's forms of it.
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Of all the awards, the Stand-up Comic Audience Award is our favorite. It is a chance to honor the performers who spend much of their careers developing their craft and working in the comedy clubs all over America.
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So I kept it to myself. Then some of my classmates started to come down to the comedy club, taking a girl out, and they started finding out I was a stand-up comedian.
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It's depressing sitting at a comedy club all night, waiting to get on to do your five or ten minutes of material.
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Comedy clubs have brick walls behind the performer. Bricks make you funny. When I'm in front of a fireplace, I'm hilarious.
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TV is easier: it's all planned out for you, and the audience is there to see a show and they are all pumped up, but when you are in a comedy club, you have to be really funny to win them over. To me, that's more pure.
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Comedy clubs can be brutal. Those people are for real, and if you aren't funny, they aren't laughing. They don't care who you are.
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I used to go to the Improvisation Comedy Club every night in Times Square. How I didn't get killed in that area either means that 1) God is watching over me or 2) I am so insignificant to God that he didn't bother having me killed.
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I just don't get if you have ever gotten offended by a joke, why would you go to a comedy club? That's where jokes happen.
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Every few months I'll pop into a comedy club or go to Vegas.
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Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
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I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
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I started selling out comedy clubs before I got to town with no advertising. I was selling out theaters just on the rumor that I was going to be there.
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Comedy clubs are sacred ground. That's where anything goes.
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Phunny Business is a breezy, vivid, funny, star-studded and delightful valentine to comedy, entrepreneurship and the All-American impulse to make something out of nothing. The story of comedy club owner/inveterate dreamer Raymond Lambert and his heroic quest to create a safe, productive place for black stand-up comedians to hone their craft and find their voices isn't just a great Chicago story and a great comedy story: it's a flat-out great story, lovingly and engagingly told.
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I used to go to the Cleveland Comedy Club all the time. If there was a comic I liked, I'd go see him two or three times that week. Bob Saget was one of those guys.
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A comedy club is a place where you work out material, you're trying material.
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When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.
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The DC Improv food is amazingly edible for a comedy club.
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I'd like to help other comedians and when I get a little older I'd like to open up a nice comedy club that is straight classy, with a straight restaurant and a chef. The whole thing, red carpet, and treating people nice, for people to come back and have a good time. That's the kind of comedy club I want to open up.
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I follow the baseball team on the Internet more than I do the football team. Generally you can get a Nebraska game anywhere. Before I started doing big arenas and stuff and had a tour bus when I was just working comedy clubs way back when I would always listen to the games in my hotel room on the Internet.
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When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.
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The only reason I got into stand-up was because my brother told me to. I had no idea what I was going to do with my life. I was 17 and my brother went to a comedy club and he said - you can do that.
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Bob Saget was known, in the comedy clubs in those days, as extremely funny but with dark humor. It was always an inside joke among comics, when he got Full House, it was, like, wow, hes playing this all-American dad kind of thing. That was not Bob Saget. His comedic style is definitely more twisted, and he has an edgier side than he showed in Full House.
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Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.
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I went to a performance-art high school, and a teacher there was signing me up for open-mic nights at the comedy club. I think about it now, and I think, 'Well, that may be inappropriate,' but it was great!'
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If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."
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Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
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I LOVE THE COMEDY CLUBS AND THE CLOSENESS OF THE CROWD. HOWEVER THE MORE YA DO THE BIG ROOMS THEY START TO BECOME YOUR HOME AS WELL AND YOU ADJUST TO THE SURROUNDINGS. I LOVE THEM BOTH. I MISS THE CLUBS BUT THATS WHAT YA WORK FOR TO DO THE BIG ROOMS!
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Homophobia is a tough one. In some places it's actually very OK to be homophobic. Comedy clubs in general are very unsafe spaces for LGBT, for women, for Asian people. So my goal in comedy has sort of been to make this a safe space for people who were like me.
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