Congo Quotes
The best sayings about Congo that you can share on Instagram, Pinterest, Facebook and other social networks!
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The first victim in journalism today is proximity. I know I've used that word a lot. Because of foreign budgets, newspapers have consolidated, and journalists now cover dozens of countries at a time. It is physically not possible for one person to understand and live the unique sets of experiences in all these places in honest and meaningful ways. Outlets used to send journalists to places like Congo for months at a time, and they were stationed there for months or years. There was a sense of immersive reporting, and that has been a casualty of the shift in news over the past years.
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I chose Congo in order to become close to a place that we had turned away from. It isn't present in our imaginations, in the stories we tell each other. Yet it's relevant to our lives and to our worlds, in a practical way. Congo supplies raw materials for the things that we use on a daily basis. We are intimately linked to Congo, economically. We're linked to it through human events that are occurring there, that affect all of us, and yet you don't find narratives of Congo present in our lives.
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I'm glad that it didn't take as long to get Shepard off the ground as it's taken this series. I'd begun to think the Congo would be ahead of us in the space race before Whispering Smith ever got on the air.
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One of the matters that must be addressed is that Rwanda and Uganda have to leave the Democratic Republic of the Congo. We're also supporting processes to ensure that the political dialogue among the Congolese themselves takes place so that the people there can decide their future.
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Had the Holocaust happened in Tahiti or the Congo, as it has; had it happened in South America, as it has; had it happened in the West Indies, as it has - you must remember that within fifty years of Columbus's arrival, only the bones remained of the people called the Arawaks, with one or two of them in Spain as specimens. Had the Holocaust committed under the Nazis happened somewhere else, we wouldn't be talking about it the way we talk about it.
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If you are lying in a tent in the Congo jungle, you don't want to be reading about rainforest biology. You want to be in a distant world.
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I can't be calm when I drive through sections of Atlanta that look more like Kinshasa, Democratic Republic of Congo, than America.
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Sometimes I wish eastern Congo could suffer an earthquake or a tsunami, so that it might finally get the attention it needs. The barbaric civil war being waged here is the most lethal conflict since World War II and has claimed at least 30 times as many lives as the Haiti earthquake.
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I wanted to tell the story of these women and the war in the Congo and I couldn't find anything about them in the newspapers or in the library, so I felt I had to get on a plane and go to Africa and find the story myself. I felt there was a complete absence in the media of their narrative. It's very different now, but when I went in 2004 that was definitely the case.
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My purpose at that time was to expand my experience of the world and to immerse myself as deeply as I could in powerful events that I thought would begin to help me understand the world, and myself, in larger ways. Looking back, it's difficult to imagine my life without the Congo now.
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The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.
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The Congo is really beautiful. People correct me and say, "Oh, you mean the Democratic Republic of the Congo." Well, fine. But, the land there, the landscape is extraordinary. It's big lakes and beautiful hills and trees.
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Neo-Hoodoo is the 8 basic dances of 19th century New Orleans' Place Congo- the Calinda the Bamboula the Chacta the Babouille the Conjaille the Juba the Congo and the VooDoo- modernized into the Philly Dog, the Hully Gully, the Funky Chicken, the Popcorn, the Boogaloo and the dance of great American choreographer Buddy Bradley.
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When I travel around the globe, I try as hard as I can to represent the NBA and the game of basketball to the best of my abilities. I get to go around the world and not only share the game but also my philanthropic work. Building a hospital in the Congo is one of the proudest achievements of my life.
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The main mineral in your cellphone, coltan [a black metallic ore], comes from the Eastern Congo. Multinational corporations are there exploiting the very rich mineral resources of the region. A lot of them are backing militias which are fighting one other to gain control of the resources or a piece of the resources.
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The reason we do activism is because, maybe you haven't been raped or abused, but there are millions of people who can't say the same, and when you hear their stories you may be a little bit compelled. And it doesn't have to be dark. In the Congo, there are women who've been raped and re-raped, and they're so powerful, and they can carry trees on their heads, and they're dancing!
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And yet the world we live in-its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence-is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold's Congo is but one of those silences of history.
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My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
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I certainly think that many of the themes, and many of the ways that I wrote about Congo, will continue to live on in my work. One of the fundamental aspects of my work is for myself and the reader to see the world that they think they know in a different way.
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As I searched the atlas for somewhere to run to, Hugh made a case for his old stomping grounds. His first suggestion was Beirut, where he went to nursery school. His family left there in the midsixties and moved to the Congo. After that, it was Ethiopia, and then Somalia, all fine places in his opinion. 'Let's save Africa and the Middle East for when I decide to quit living,' I said.
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Syria is bad enough, it's a pretty terrible atrocity. But there are much worse ones in the world. So for example, the worst atrocities in the past decade have been in the Congo, the Eastern Congo, where maybe 5 million people have been killed.
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What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
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Helen Rosevere was a British medical missionary in the Congo years ago during an uprising. Her faith was strong and her trust was confident, yet she was raped and assaulted and treated brutally. Commenting later, she said, "I must ask myself a question as if it came directly from the Lord, 'Can you thank Me for trusting you with this experience even if I never tell you why?'" What a profound thought. God has trusted each of us with our own set of unfair circumstances and unexplained experiences to deal with. Can we still trust in Him even if He never tells us why?
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Come Judgment Day, we may find that Mumbo Jumbo the God of the Congo was the Big Boss all along.
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I created the Dikembe Mutombo Foundation back in 1997 for the purpose of going in and improving the living conditions of my people on the African continent, especially in the Democratic Republic of Congo where I came from. Our first mission was to go and build a new hospital. Our next mission was to build a school.
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It is essential that the foreign forces who have invaded and occupy large parts of the Congo halt their offensive action
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When I was a boy we didn't wake up with Vietnam and have Cyprus for lunch and the Congo for dinner.
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In abstract mathematics or abstract art, the purpose is to describe inner states of our mind, and to explore the limits of our own imagination and our capacity for creativity. While this has some applications in the world, I think it leads to a distance from the world. Going to Congo was for me an act of seeking proximity, of breaking that distance. With abstraction, which is brilliant and vain, you divorce yourself from any kind of proximity to other people.
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Schweitzer in the Congo did not derive more moral credit than Larkin did for living in Hull.
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Over the years, the diamond industry has had a devastating impact in countries such as Sierra Leone, Angola and the Congo, where profits from the sale of diamonds have been used to fund brutal wars, with disastrous effects on local communities.
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