Corsets Quotes
The best sayings about Corsets that you can share on Instagram, Pinterest, Facebook and other social networks!
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Everything is important, but there is a weight to these big or expected things and then there is the logistics of them and it's trying to find, while you worry about for instance the ballroom scene, how do you get 500 people to go to the loo in corsets and don't cost you an hour and how do you remember while you're organizing all that to take a breath and say, 'Well the scene is about all of that and it's about Prince hand on the small of Cinderella back as well' and we need time to do that properly as well.
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I'm one of those strange beasts who really likes a corset.
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I wander around in corsets in my house all the time. I'm a lot girlier than the roles I play, but I don't believe there's anything wrong in this business for being typecast.
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Wearing a real corset doesn't make you look thin! It just makes you look like you're going to pass out! Also it doesn't actually shape your body in any positive way.
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It's one thing to be helpless as one tries to lace a corset or to mount an elephant, quite another to be helpless as a bandit pushes a black steel knife against the flesh of your throat while his brother comes to join him.
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Power always acts destructively, for its possessors are ever striving to lace all phenomena of social life into a corset of their laws to give them a definite shape. Its mental expression is dead dogma; its physical manifestation of life, brute force. This lack of intelligence in its endeavours leaves its imprint likewise on the persons of its representatives, gradually making them mentally inferior and brutal, even though they were originally excellently endowed. Nothing dulls the mind and soul of man as does the eternal monotony of routine, and power is essentially routine.
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The corset is?a mutilation, undergone for the purpose of lowering the subject's vitalityand rendering her permanentlyand obviously unfit for work.
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Corsets do look so pretty. Once I watched it, I was like, "Well, they do look nicer than the way I do normally," but they're really uncomfortable. You start to realize why women would pass out. We had the real ones, and they were just awful. At one point, I was like, "I think that's my spleen that this is digging into." So, if I had a nightgown, that was always really comfy. I had a few coats that I thought were pretty cool.
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I am a pig! I love to eat! i will eat anything! If you put it front of me, I will put it in my mouth, even if it doesn't taste good! And I can't stop eating until all the food is gone. It's probably one of the contributing factors as to why I became a drag queen. I can eat whatever I want, because I can just strap myself into a corset!
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Wearing a corset, a ball gown, heels and a swan hat with wings to fight in the forest gave me a whole new appreciation for everyday clothes, because you really become that alter ego while wearing those costumes in those environments on the set. They just influenced everything you tried to do.
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Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.
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Happiness is the sublime moment when you get out of your corsets at night.
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The space program caused so much future-thinking in culture. People who couldn't go to the Moon were building space-fantasy chairs and corsets and hairdos and anything that they could put their hands on.
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It's a corset design making me look very, very slim and trim. I call it a corset dress. Very Hollywood glamour with the silk.
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I think I've still got a bit of a sado-masochistic streak in me, because if I'm not going to be restricted by corsets and covered in lace, then I still wind up wearing an ape-mask over my face. I do wonder how I get myself in these situations!
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With people in corsets you need, an hour and a half in you have to give somebody something, you have to have those trays with a little bit of fruit going around or something because you get that blood sugar [dropping] thing, so it's curious because that's in your mind at the same time as you're about to say, 'I think it's about the humanity and the depth of feeling and we need to feel [Cinderella] soul expand and by the way, more cheese for the people in the back.'
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Coco Chanel really wanted to have freedom of a man, and at first the only way she could find that freedom was through the clothes. They freed her movement; she got rid of the corset. This imposed her not as a decoration but as a real personality. She invented a new way of seductions through these clothes.
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I can't always be making "British films". Why should we be making films about corsets and horses and girls learning to drive when Americans send over an event movie and make five or 10 million?
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Even some rock star girls, which I didn't really know her name. I will probably find out and probably get slaughtered for not knowing her name, but she brought some of her clothes that she used to wear on stage. I wore one of the corsets and stuff. I don't know why I'm blanking. It was not Pat Benatar. It's like Debbie Gibson, Pat Benatar, Joan Jett, I know those girls.
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A rich woman seems to have all her banknotes about her, guarding her virtue, like a cuirass, in the lining of her corset.
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For myself, I haven't been content to carry on producing books that merely strain against the conventions - as I've grown older, and realised that there aren't that many books left for me to write, so I've become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.
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I'd love to be in a 1910s film - the era between the corsets and losing the corsets.
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Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village. downtown Manhattan, clear winter noon, and I've been up all night, talking, talking, reading the Kaddish aloud, listening to Ray Charles blues shout blind on the phonograph
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It would be nice to really shed the corsets.
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I love all the old pictures - of spanking and Bettie Page and corsets. But you can't do spanking in fashion, so I wanted to do a project where I could really let go and get girls who also love those things.
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Really I was open-minded about doing anything, but the one thing I didn't want to do was get myself into a corset, because I was worried I'd never get out again.
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On corsets: I said, You have got to be kidding. I am an ape and yet I am still expected to squeeze myself into one of those damn things.
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I'm drawn to intergenerational tension, and it must have been strong in the 1920s: I wondered how Louise's [Brooks] generation of flappers appeared to the women who came of age at the beginning of the century - wearing corsets, long skirts, and high collars.
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I don't mind wearing a corset; it informs your posture, changes the way you move, you can't slouch.
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I have loved corsets since I was small. When I was a child, my grandmother took me to an exhibition, and they had a corset on display. I loved the flesh color, the salmon satin, the lace.
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