Deconstruction Quotes
The best sayings about Deconstruction that you can share on Instagram, Pinterest, Facebook and other social networks!
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I'm talking to you and it's basically a direct communication, whereas if I'm writing a letter to you and you read the letter, there are like 12 extra deconstruction and reconstruction steps in the communication.
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If you look at capitalism and patriarchy, they're both such hierarchical, competitive, oneupmanship systems. They've trained us all [to think] that power means having all the goods or having the most money or having the most attention or having the most fame. That's not the power that interests me. Actually, the deconstruction of that power is what interests me.
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That is what deconstruction is made of: not the mixture but the tension between memory, fidelity, the preservation of something that has been given to us, and, at the same time, heterogeneity, something absolutely new, and a break.
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If you deconstruct Greece, you will in the end see an olive tree, a grapevine, and a boat remain. That is, with as much, you reconstruct her.
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Adolescence is a time of active deconstruction, construction, reconstruction--a period in which past, present, and future are rewoven and strung together on the threads of fantasies and wishes that do not necessarily follow the laws of linear chronology.
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Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction.
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You can't answer a kid's question. A kid never accepts any answer. A kid never says, 'Oh, thanks. I get it.'... They just keep coming with more questions - why, why, why? - until you don't even know who the fk you are anymore at the end of the conversation. It's an insane deconstruction.
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I'm telling you, I could teach at a university, [George] Carlin, a whole semester. The construction and deconstruction of the words, the language, the order.
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Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.
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When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
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Deconstruction is not meant to be a soft sighing for the future, but a way of deciding now and being impassioned in a moment.
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It feels like it is a daily work and an ongoing task to undo all of the f - - g programming that I have had all my life about who I am supposed to be and how I'm supposed to look and that I'm supposed to win. It's a daily deconstruction of all that bullshit.
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It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
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Other people's deconstruction of your motivations doesn't help you do what you do. You can't swallow and think about swallowing at the same time.
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Deconstruction glorifies the critic, humiliates the author, and makes the reader wonder why he bothered.
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There is no rigorous and effective deconstruction without the faithful memory of philosophies and literatures, without the respectful and competent reading of texts of the past, as well as singular works of our own time. Deconstruction is also a certain thinking about tradition and context. Mark Taylor evokes this with great clarity in the course of a remarkable introduction. He reconstitutes a set of premises without which no deconstruction could have seen the light of day.
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Deconstruction: peering suspiciously at the text, I wait for it to make a slip and betray itself.
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Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom
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Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation.
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Deconstruction insists not that truth is illusory but that it is institutional.
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I would say that deconstruction is affirmation rather than questioning, in a sense which is not positive: I would distinguish between the positive, or positions, and affirmations. I think that deconstruction is affirmative rather than questioning: this affirmation goes through some radical questioning, but it is not questioning in the field of analysis.
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Deconstruction never had meaning or interest, at least in my eyes, than as a radicalization, that is to say, also within the tradition of a certain Marxism, in a certain spirit of Marxism.
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I always dream of a pen that would be a syringe.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I think the purpose of deconstruction is to take something apart and see how it works. If you're not going to put it back together again and watch it go, what's the point?
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For 179 years [The Book of Mormon] has been examined and attacked, denied and deconstructed, targeted and torn apart like perhaps no other religious history – perhaps like no other book in any religious history- and still, it stands.
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Deconstruction is great for the intellect, but it hurts the heart terribly.
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I realize after spending so long working with images, semiotic deconstruction and redeployment becomes second nature. We all speak with images. I guess I look at everything sideways nowadays.
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You won't talk to anybody who breaks lyrics down more thoroughly. It's just a complete deconstruction, and when you start to rebuild, nobody has the capacity to do it like me. Which is not to say I'm better, it's just that there's a unique quality to everyone.
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What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
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Top Authors
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Kenny Hickey Musician -
Keith Johnstone Playwright -
Kimberly Yee Politician -
Kenneth Rogoff Professor -
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Keith Flint Singer -
Kelis Singer-songwriter -
Kimberley Walsh Singer-songwriter -
Kirsty Gallacher Television presenter -
Kevin Maurer Writer
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