Documentary Photography Quotes

On this page you will find all the quotes on the topic "Documentary Photography". There are currently 19 quotes in our collection about Documentary Photography. Discover the TOP 10 sayings about Documentary Photography!
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  • The dismal half-baked images of the average "reportage" and "documentary" photography are self dammning... the slick manner, the slightly obscure significance, the esoteric fear of simple beauty for its own sake - I am deeply concerned with these manifestations of decay. Gene Smith's work validates my most vigorous convictions that if the documentary photographs is to be truly effective it must contain elements of art, intensity, fine craft and spirituality. All these his work contains and we may turn to his work with gratitude, appreciation and great respect.

  • Documentary photography is becoming more illustrative as people become more familiar with photography’s limitations and vulnerabilities. Reality has always been interpreted through layers of manipulation, abstraction, and intervention. But now, it is very much on the surface. I like this honesty about its dishonesty. Every photograph has many truths and none. Photographs are ambiguous, no matter how seemingly scientific they appear to be. They are always subject to an uncontrollable context. This is a tired statement, but worth repeating.

    Interview with Geoffrey Batchen, Nell McClister, www.museomagazine.com.
  • Documentary photography has amassed mountains of evidence. And yet... the genre has simultaneously contributed much to spectacle, to retinal excitation, to voyeurism, to terror, envy and nostalgia, and only a little to the critical understanding of the social world.

    Allan Sekula, Illinois State University. University Galleries (1999). “Dismal science: photo works, 1972-1996”, Illinois State Univ
  • I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.

  • To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.

    "You Might Be a Cowgirl If . . .: A Guide to Life on the Range" by Jill Charlotte Stanford, Robin L. Corey, Globe Pequot, (p. 111), September 4, 2012.
  • Photography takes an instant out of time, altering life by holding it still.

  • For me, documentary photography has always come with great responsibility. Not just to tell the story honestly and with empathy, but also to make sure the right people hear it. When you photograph somebody who is in pain or discomfort, they trust you to make sure the images will act as their advocate.

  • I may be wrong, but the essential illustrative nature of most documentary photography, and the worship of the object per se, in our best nature photography, is not enough to satisfy the man of today, compounded as he is of Christ, Freud, and Marx.

  • I have tried to bring about better communication between people. I believe that humanitarian photography is like economics. Economy is a kind of sociology, as is documentary photography.

  • Many people in this world do jobs that are dangerous and where their life is at risk and they feel that there is some kind of value to their job I guess that's how I feel about what I do. There is a social function to documentary photography that is very important and it requires people to take risks.

  • While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.

    Life   Photography   Eye  
  • The camera is an instrument that teaches people how to see without a camera.

    Dorothea Lange, Robert Coles (1982). “Photographs of a Lifetime”
  • If your pictures aren't good enough, you aren't close enough.

    Robert Capa (1987). “Robert Capa: cuadernos de guerra en España (1936-1939).”
  • Some of my pictures are poem-like in the sense that they are very condensed, haiku-lik. There are others that, if they were poetry, would be more like Ezra Pound. There is a lot of information in most of my pictures, but not the kind of information you see in documentary photography. There is emotional information in my photographs.

  • One should really use the camera as though tomorrow you'd be stricken blind.

    Anne Whiston Spirn, Dorothea Lange (2009). “Daring to Look: Dorothea Lange's Photographs and Reports from the Field”, University Of Chicago Press
  • I think photojournalism is documentary photography with a purpose.

  • [Documentary photography] is unwittingly literary, because it is nothing other than an observation of contemporary life apprehended at the right moment by an artist capable of seizing it. (1928)

  • A documentary photograph is not a factual photograph.

    Dorothea Lange, Robert Coles (1982). “Photographs of a Lifetime”
  • To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism. And its purpose is to document all facets of social relationships.

    Photography   Art   Mean  
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