Ensemble Quotes
The best sayings about Ensemble that you can share on Instagram, Pinterest, Facebook and other social networks!
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It's really nice to pass the ball when you're in an ensemble cast.
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I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.
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It took me a long time to reach the decision to retire, actually, from the Art Ensemble. But it seemed more important to me to share the vitality of Aikido and the vitality of Zen training with people, even though it would be a smaller number of people, it seemed to give them something that could last and improve their lives.
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I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
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I know that John Adams has had a very hard time directing French ensembles.
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I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
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Shoes are a big part of your look. I think that if your outfit isn't really something special, then fun footwear is a great way to jazz it up and make your ensemble more interesting.
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The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.
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No great television show has ever rested on just one person. They're all about great ensembles and storytelling.
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It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable
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I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
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The more the ensemble, the duet or the forty piece orchestra, plays as one person, the more it makes people dance, because you're back in the womb. You feel mom's heartbeat. It makes you move. It reminds you of that warm, groovy space you were in.
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I don't have any tattoos - I live vicariously through my sister, Langley, who has many. If I can't stick to one ensemble, I don't think I could stick to one tattoo.
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All conventional wisdom has an element of truth to it, but good design requires more than an element of truth - it requires an ensemble of correct assumptions and valid calculations.
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I've never done a [Berthold] Brecht. In the 1960s when the Berliner Ensemble came over [to England] with Helene Weigel [Brecht's second wife], I saw all the Berlin actors. It was an amazing time, very exciting early 1960s.
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It took me a long time to reach the decision to retire, actually, from the Art Ensemble.
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In a recording, your ear believes and accepts the trumpets as part of the ensemble, but you can't do that in a concert hall.
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I learn so much more in an ensemble movie.
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If there is a lesson in our story it is that the manipulation, according to strictly self-consistent rules, of a set of symbols representing one single aspect of the phenomena may produce correct, verifiable predictions, and yet completely ignore all other aspects whose ensemble constitutes reality.
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I've always been attracted to ensembles. When I started doing plays in high school and in college, I always loved the community aspect of it. I loved these little families that would develop.
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I never started out to be an action actor. I was an ensemble actor.
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It is tough, every time. The ensemble is great. I would always ask Andrew, "Is this how Hollywood is? Is this how every TV show and movie is?" And he was like, "No, dude. This is not. Do not get used to this. Be thankful that this is how your first gig is."
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I don't like the term 'ensemble.' It's bland to me.
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I feel like the songs that I write are best when they are performed by an ensemble, rather than by one solo instrument.
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[ 1600 Penn] is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
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I always want to be a part of ensembles. Besides it feeling safer, I think it's a more fun environment to work in. To have a bunch of people collaborating on something, it takes the pressure off of each individual.
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The most important part of filmmaking is the collaboration and the ensemble element of it. If you just all focus on the task and the work and try and make the best film that you can then people will come.
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Well that's what Andy wore to bed. You know, the oxford button-down Brooks Brothers shirt that he's been wearing all day and his big long socks. He'd just take off his jeans and his boots and go to bed. Then he'd change into a fresh ensemble after he had breakfast the next morning.
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I was commuting three to four hours a day, I had jobs for much of it. But I was always involved in going to some ensemble someplace. Taking my lessons at the local Jewish community center on Staten Island.
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The challenge, and also what I like most about a big ensemble movie, is that all actors have completely different processes and all of them prefer scenes to be done a different way.
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