Fables Quotes
The best sayings about Fables that you can share on Instagram, Pinterest, Facebook and other social networks!
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The day will come when the mystical generation of Jesus, by the Supreme Being as his father, in the womb of a virgin, will be classed with the fable of the generation of Minerva in the brain of Jupiter.
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But how has it happened that millions of fables, tales, legends have been blended with both Jewish and Christian revelation that have made them the most bloody religion that ever existed?
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Better be wise by the misfortunes of others than by your own.
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Poetical taste is the only magician whose wand is not broken. No hand, except its own, can dissolve the fabric of beauty in which it dwells. Genii, unknown to Arabian fable, wait at the portal. Whatever is most precious from the loom or the mine of fancy is poured at its feet. Love, purified by contemplation, visits and cheers it; unseen musicians are heard in the dark; it is Psyche in the palace of Cupid.
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… it wasn’t pretend, I wasn’t in a fairytale or a fable. I shut my eyes and absorbed the silent whoomp that always accompanies this revelation. It’s the sound of the real world, gigantic and impossible, replacing the smaller version of reality that I wear like a bonnet, clutched tightly under my chin.
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The smaller the mind the greater the conceit.
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We must be compelled to hold this doctrine to be false, and the old and new law called the Old and New Testament, to be impositions, fables and forgeries.
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We often give our enemies the means for our own destruction.
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Doth some one say that there be gods above? There are not; no, there are not. Let no fool, Led by the old false fable, thus deceive you. Look at the facts themselves, yielding my words, No undue credence: for I say that kings kill, rob, break oaths, lay cities waste by fraud, And doing thus are happier than those, Who live calm pious lives day after day. All divinity is built-up from our good and evil luck.
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After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement.
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Ah, reader, put thy trust in thy creator, and thou wilt be safe; but if thou trustest to the book called the scriptures thou trustest to the rotten staff of fable and falsehood.
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The evil arising from mental improvement can be corrected only by a still further progress in that very improvement. Either morality is a fable, or the more enlightened we are, the more attached to it we become.
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As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.
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And when life's sweet fable ends, soul and body part like friends; no quarrels, murmurs, no delay; a kiss, a sigh, and so away.
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An old Arabian fable tells of a prince imprisoned in a castle which had thirteen windows. Twelve of these windows overlooked lovely scenes, while the thirteenth looked down on the black ash heaps of the city. Ignoring the twelve windows, the prince always looked out through the thirteenth. It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.
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Human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.
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We have a dangerous trend beginning to take place in our education. We're starting to put more and more textbooks into our schools. We've become accustomed of late of putting little books into the hands of children, containing fables and moral lessons. We're spending less time in the classroom on the Bible, which should be the principal text in our schools. The Bible states these great moral lessons better than any other man-made book.
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All cartoon characters and fables must be exaggeration, caricatures. It is the very nature of fantasy and fable.
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The minute that you bring a unicorn into a story, you know that it's a fairy tale or a fable, because unicorns don't exist as animals. They exist as fantasy creatures.
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Did universal charity prevail, earth would be a heaven, and hell a fable.
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I was brought up, as a lot of kids are, on 'Aesop's Fables,' 'Brothers Grimm,' 'La Fontaine,' all those sorts of things. Hans Christian Andersen is a hero of mine.
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Pain reconciles one to existence. Infinite resignation is that shirt in the old fable. The thread is spun with tears, bleached by tears, the shirt sewn in tears, but then it also gives better protection than iron. The secret in life is that everyone must sew it for himself.
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The artist is the child in the popular fable, every one of whose tears was a pearl.
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The single combats of the heroes of history or fable amuse our fancy and engage our affections: the skillful evolutions of war may inform the mind, and improve a necessary, though pernicious, science. But in the uniform and odious pictures of a general assault, all is blood, and horror, and confusion . . .
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I would rather have written Fables in Slang than be President.
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My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
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The ancients had a taste, let us say rather a passion, for the marvellous, which caused grouping together the lofty deeds of a great number of heroes, whose names they have not even deigned to preserve, and investing the single personage of Hercules with them. In our own time the public delight in blending fable with history. In every career of life, in the pursuit of science especially, they enjoy a pleasure in creating Herculeses.
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History fades into fable; fact becomes clouded with doubt and controversy; the inscription molders from the tablet: the statue falls from the pedestal. Columns, arches, pyramids, what are they but heaps of sand; and their epitaphs, but characters written in the dust?
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There is no Champollion to decipher the Egypt of every man's and every being's face. Physiognomy, like every other human science,is but a passing fable.
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Fiction or fable allures to instruction.
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