Festivals Quotes
The best sayings about Festivals that you can share on Instagram, Pinterest, Facebook and other social networks!
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Why is it that, next to the birthday of the Savior of the world, your most joyous and most venerated festival returns on this day (the 4th of July)? Is it not that, in the chain of human events, the birthday of the nation is indissolubly linked with the birthday of the Savior?.
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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.
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I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
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Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.
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That was very close to getting killed. Usually at pop festivals we have people jumping on stage.
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I'm launching my own festival in South Wales. It's something I've wanted to do for a long time. It's going to be held at Margam Park, because I wanted the venue to be as close to my home as possible.
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I danced with the London Festival at Covent Garden. I'm a ballerina by trade; I'm a ballerina who sings by the way.
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God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it?
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I like being a patron of things, I like patronizing things. And if it's not going to be people, I'll patronize a festival.
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Seasons pursuing each other the indescribable crowd is gathered, it is the fourth of Seventh-month, (what salutes of cannon and small arms!
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Doing that, then doing a lot of theater, which I love. Doing guest stars, did two independent films that are going around to all these festivals. Both of them are going to be at the Lake Tahoe Film Festival.
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Bringing production to a festival can be tricky sometimes.
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Life is a festival only to the wise.
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Selfridges’ Christmas hot list includes faux fur animal hats by Merrimaking, currently enjoying a cult status in Japan and amongst festival goers.
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About my work, my first film, Écoute le Temps (Fissures), was positioned by distributors as a thriller because they thought that it would sell more easily. But it was surely a mistake, as that kind of viewer did not take the bait, and it drew away its potential core audience, those whom I met in festivals and in various Q&As who seem to appreciate that particular kind of cross-over arthouse film.
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There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
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Comedy - particularly the frothy and frivolous - is notoriously neglected by festivals and awards. But it's bloody hard to get right.
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For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.
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Our Feastival of Queens area, which featured five different authentic ethnic foods from Queens, was one of the most popular areas of the festival, and was written about in a number of different reviews.
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This sounds so bogus, but I would love to, at some point when my kids are in college, is just go do a whole season at the Oregon Shakespeare Festival, and do a year of plays. Most actors miss the days of live theater.
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Unlike with any other art form, filmmakers have this unique web of festivals. There are hundreds. It is a democratic system in which you submit films, and if they are good enough, they play. The only barrier to entry is the submission fee.
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I know sometimes when I go to a convention or a film festival occasionally people bring me really valuable and really rare memorabilia that I have never seen before.
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I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
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The Rock'n'Blues Fest is my kind of festival series! It's always great playing shows with my brother and, add to that, all the other great artists and their bands and this should make for one historic round of concerts.
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It's going to be a combination Scopes trial, revolution in the streets, Woodstock Festival and People's Park, all rolled into one.
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I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
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Democracy: a festival of mediocrity.
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It's a reality of film festivals that you can't see everything. You're dividing your time between seeing films and utilizing that unique space to have meetings with people that you can't otherwise.
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I've been pitching a show of five female stand-up comedians through the generations, from Phyllis Diller to Amy Schumer, so when I got an e-mail asking me if I would participate in the Women in Comedy Festival, I was thrilled.
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The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.
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