Film School Quotes
The best sayings about Film School that you can share on Instagram, Pinterest, Facebook and other social networks!
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I'm completely self-taught. I absolutely don't believe in art or film schools!
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I keep joking that I'm in Jason Reitman Film School, because I keep asking him questions every single day about directing and I have a list of things that he's told me to do and not do and I definitely couldn't learn from a better person.
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I learned how to direct by being in the trenches of movies. Getting to be a student from the inside looking out, and if you're a respectful observer you can sponge lots of information. That was my film school.
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Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
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Education is huge for me. I went to public school until I turned thirteen, and was lucky enough to afford college once I became successful as an actress. I cannot believe that quality education costs as much as it does in this country. Ghetto Film School is a remarkable public high school in New York City where students get to learn to express themselves through filmmaking, and have hands-on access to equipment.
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Film school is a complete con, because the information is there if you want it.
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I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
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The Rogue Film School is not for the faint-hearted. It is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lock picking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense of poetry. For those who are pilgrims. For those who can tell a story to four year old children and hold their attention. For those who have a fire burning within. For those who have a dream.
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There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
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When I got into film school, it really formed a sense of who I am and my sense of feeling like an outsider. If there was some greater purpose to do this, it would be so that future generations - my kids or my sister's kids - would grow up seeing themselves in their media culture in a way that I didn't. If The Mindy Project or Master of None were on when I was growing up, I wonder if I would be interested in doing this at all
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Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
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You will learn more by walking from Canada to Guatemala than you will ever learn in film school.
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I've made some great movies. 'Risky Business' still stands up. It's timeless. They study that film in film school.
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I can't even remember not wanting to go to film school.
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You don't necessarily need to go to film school to learn that part of it. But what I valued was that it gives you that incubation and time to figure out who you are, what kind of stories you want to tell, and how you want to forge your path.
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The real trouble with film school is that the people teaching are so far out of the industry that they don't give the students an idea of what's happening.
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I don't have any experience with film schools. I suspect that they're useless, because I've had experience with drama schools, and have found them to be useless.
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I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.
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I went to graduate film school at NYU, and at first I didn't get a degree, because I took a scholarship that was supposed to pay my tuition, and I used it to make a film. For the longest time, I never actually graduated. And about 70 percent of the things I learned there I had to unlearn, but 30 percent was really valuable. It's like Mark Twain said, "Don't let school get in the way of your education."
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I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.
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Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
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So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing.
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I went to film school, so I certainly know how to make things quickly and cheaply. But at the same time, I have the experience of working with Steve Starkey for three years. I watched him produce some gigantic movies.
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I didn't go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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I've always loved films, and I always felt like a storyteller. I left Norway after high school and moved to Manhattan and went to film school in Manhattan. That's when I really found out that this was my calling and what I wanted to do.
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I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.
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If I wasn't a trader, I would probably be in the film business in some capacity and writing in some other form. I went to NYU Film School and London Film School.
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I steal from every movie ever made.
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In film, I don't think I'd try directing. Maybe one day, but I'd certainly want to go to film school or something before I tried to do something like that. That would be quite scary.
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I thought about going to NYU film school - that was this ideal to me. But I didn't make any kind of grades in high school.
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Top Authors
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Charles Durning Actor -
Cathy Rigby Actress -
Cate Tiernan Author -
Catherine Asaro Author -
Charles Oakley Basketball player -
Charlotte Beers Businesswoman -
Charlie Flynn Competitor -
Charles Walter Simpson English artist
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Catherine Hicks Film actress -
Cathy Lewis Film actress -
Chad Pennington Football player -
Charlemagne Former King of the Franks -
Chaim Herzog Former President of Israel -
Charles Dow Journalist -
Charles M. Blow Journalist -
Charles Phillips Manager -
Cathy Hopkins Novelist -
Cecelia Ahern Novelist -
Cecil Beaton Photographer -
Cecil Arthur Lewis Pilot -
Charles G.D. Roberts Poet -
Charlotte Mew Poet -
Charles Stewart Parnell Political leader -
Cass Elliot Singer -
Cary Brothers Singer-songwriter -
Charles le Gai Eaton Writer -
Charles-Ferdinand Ramuz Writer
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