Fonts Quotes
The best sayings about Fonts that you can share on Instagram, Pinterest, Facebook and other social networks!
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Love properly understood is God—the font of all creation and the ultimate goal of all desires; God properly understood is love.
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You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.
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Neither blows from pitchfork, nor from the lash, can make him change his ways. [Fr., Coups de fourches ni d'etriveres, Ne lui font changer de manieres.]
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The beginning and the end of love are both marked by embarrassment when the two find themselves alone. [Fr., Le commencement et le declin de l'amour se font sentir par l'embarras ou l'on est de se trouver seuls.]
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For me, the eye and the word go together. Even when I was working in word documents, I was always obsessed with fonts, size, margins - the look of words on a page. The way something looks or sounds is also what it means.
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I mean, what's thematic? How to put it? Going back to, like, 1980, when I started writing poetry. Language itself became an issue. I'd even think about font as an aspect of text, you know, how something looks on a page. A lot of this is the product of a very solitary existence, it's like, language, I mean, you know. A lot of time spent alone in the creation of all of this stuff.
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Fonts. I get emotional over fonts.
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In Lucretius, sexual desire is considered real and genuine, whereas love is illusory. Venus, the goddess who represents the power of sexual desire, is the font of love. She merely mocks lovers with mental images. Try as they might, lovers cannot satisfy themselves by gazing nor by rubbing against one another because the madness of love will always return; hence Lucretius' prescription to flee the mental images, that is, to ward off what feeds love, turning the mind elsewhere.
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There is a great need for a sarcasm font.
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There is no idea so bad that it cannot be made to look brilliant with the proper application of fonts and color.
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Combien de gens se font abstraits pour para?tre profonds! La plupart des termes abstraits sont des ombres qui cachent des vides. How many people become abstract in order to appear profound! Most abstract terms are shadows that conceal a void.
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From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.
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The problem with these interviews is that there's no sarcastic font.
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I can’t go to a restaurant and order food because I keep looking at the fonts on the menu.
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I hate videos. I'm meticulous on everything from cover art, fonts, productions, mixing. But when it comes to videos, I just feel so defeated.
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I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have a pretty lame sense of typography - bad font, counter-intuitive margins and line spacing - that it makes me sour on my writing.
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For whenever unbaptized persons die confessing Christ, this confession is of the same efficacy for the remission of sins as if they were washed in the sacred font of baptism.
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How do you do original work when culture is telling you which font face to use, which layout.
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In the afterlife you don't have to worry about looking for work.
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You have the Super Soaker filled with holy water?” “Yeah. I sucked it out of the church. You know that bird-bath thing they got right up front?” “The baptismal font?” “That’s it. They got it filled with holy water, free for the taking.” “Brilliant,” I said to Lula. She tapped her head with her finger. “No grass growin’ here.
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In giving presentations, use the 10/20/30 rule....use only 10 slides, take 20 minutes maximum, and use at least 30-point fonts.
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I guess if there was a desert island scenario and I only could take one font with me, I guess it would be Helvetica, though it has it's limitations, I think it's incredibly versatile and gets the job done and I also think it's one of the typefaces that will really survive the test of time beyond the next several decades if not into the next century.
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The other big factor in building trust quickly is site design quality. Mint.com has one of the best graphic designers ever (Jason Putorti) - he cares about every pixel, all the fonts, all the transparencies and effects. And that shows instantly. People do make judgments of trust on appearance - in the real world and online.
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Type design moves at the pace of the most conservative reader. The good type-designer therefore realizes that, for a new font to be successful, it has to be so good that only very few recognize its novelty.
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Are some free fonts a gift to humanity rather than a blight on typographic civilization ?
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Patience et longueur de temps Font plus que force ni que rage. Patience and longevity Are worth more than force and rage.
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The Canon AE1 - a fully manual camera. [My mother] had a 50mm, which is a standard lens, and then I got a 28mm. Then I started a little punk magazine, a zine, when I was 14 or 15 years old. I was shooting my friends skateboarding and it was the beginning of the Macintosh. We wouldn't do layouts on the computer; we would pick the font and then type up a paragraph and then print it out and cut it up and put it in a little mock-up and Xerox it.
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Helvetica is the font of the Vietnam War.
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Nowhere was the airport's charm more concentrated than on the screens placed at intervals across the terminal which announced, in deliberately workmanlike fonts, the itineraries of aircraft about to take to the skies. These screens implied a feeling of infinite and immediate possibility: they suggested the ease with which we might impulsively approach a ticket desk and, within a few hours, embark for a country where the call to prayer rang out over shuttered whitewashed houses, where we understood nothing of the language and where no one knew our identities.
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Instead of being the 'font of all knowledge,' teachers are required to be effective facilitators of student learning both within and outside the classroom at any time.
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Top Authors
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George Singleton Author -
Georgia Byng Author -
Gerald Scarfe Cartoonist -
George Porter Chemist -
Gordie Gillespie Coach -
Gerald Priestland Correspondent -
George P. Shultz Former United States Secretary of State -
Gerhard Berger Formula One driver -
Gerald Carson Ice hockey player
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Gillian Apps Ice hockey player -
Giuliana Sgrena Journalist -
Graca Machel Minister for Education and Culture of Mozambique -
Gotye Multi-instrumentalist -
Gordon Downie Musician -
George Whyte-Melville Novelist
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George Payne Rainsford James Novelist -
Gerald Cohen Philosopher -
Gjon Mili Photographer -
George W. Crane Physician
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George Placzek Physicist -
Gerard K. O'Neill Physicist -
George Oppen Poet -
Gerald Massey Poet -
Gerald Zaltman Professor -
Ginuwine Singer-songwriter
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