Good Directors Quotes

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  • Really good director sometimes will kind of see what the actors are doing and then get in there. Because there's the realization that you have to find it a little bit and then kind of clump around and sniff it out.

    "Ron Livingston Talks the Conjuring, Why He Got Involved, Meeting His Real-life Counterpart, Building Chemistry With His Film Family and the Immersive Set". Interview with Dave Trumbore, collider.com. June 26, 2013.
  • I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.

    Fun   Mean   Starting Up  
    Source: www.chud.com
  • No director wants to be directed, but no good director... would shy away from the good ideas of others.

    Ideas   Directors   Shy  
  • I would take a bad script and a good director any day against a good script and a bad director.

  • A good director's not sure when he gets on the set what he's going to do.

  • To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.

    Unique   Race   People  
    Source: blogs.indiewire.com
  • I look for good directors mainly because if you do enough of movies where there's not a real creative vision behind it, you start to turn into a robot and you want to jump off a bridge.

    Real   Bridges   Creative  
    Interview with Rob Carnevale, www.indielondon.co.uk.
  • More often than not, if you've got a good director and a good script you can't really go wrong.

    Source: www.interviewmagazine.com
  • I worked with Roger Moore on three episodes of The Saint. He is a lovely man, a good director, and was my favourite actor to work with.

    Men   Lovely   Directors  
  • Some people feel like you need to have a very specialized understanding of music to have the authority to talk about it. They are such good directors that it's perfectly possible to have conceptual and directorial and storytelling conversations about music without needing to know all the technical pieces.

    Source: collider.com
  • Think of anger as a muscle. The way you express anger isn't the way that I do, or you. If you have a good director, you will find that he's getting you to use an entirely different muscle that you never even knew you had - it's real hard and sore, then after a while it becomes normal. And you discover all these new muscles when you enter a new character - that's what a director does for you.

    Interview with Lord Puttnam, www.theguardian.com. June 3, 2005.
  • I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.

    Source: www.broadwayworld.com
  • David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.

  • That was okay [ working with George Clooney]. One of these days I'll work with a good director.

  • I depend on good editors and a good director.

    "Indira Varma Interview HUMAN TARGET". Interview with Christina Radish, collider.com. October 25, 2010.
  • There are directors that I want to work with and that I admire. You can love a script, but if it doesn't have a good director, it won't be that.

    "Jennifer Lawrence Talks THE HUNGER GAMES, the Mall Tour, Director Gary Ross, and More". Interview with Christina Radish, collider.com. March 12, 2012.
  • And I just want to work with good directors and good people.

    People   Directors   Want  
  • I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.

  • A good director is very well prepared, and knows exactly how he's going to cut the film, so the shooting is as efficient as possible.

    Source: www.avclub.com
  • I'm just trying to find a good project. Work with a good director, someone I really admire. Find a good role.

  • It was great having them around and I have to say pretty weird seeing them all grown up! Plus we have Jeremy Piven; and Ricky Gervais agreed to be in it and Antonio Banderas has a cameo in and that's a testament to Robert. He's such a good director and such a good guy. He gets everybody, because everyone wants to work with him.

    Guy   Want   Directors  
    "Tribute talks to Spy Kids star Joel McHale". Interview with Alexandra Heilbron, www.tribute.ca. August 8, 2011.
  • Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.

    Mom   Mean   Two  
    "Morgan Freeman and Virginia Madsen Talk the Magic of Belle Isle, the Dark Knight Rises, and Turning Sideways Into a Play". Interview with Sheila Roberts, collider.com. July 4, 2012.
  • Any good director creates a playground. That's what they do. They hire the right actor, open the door and let them play because stuff will happen, right then and there. The audience wants to believe that what's going on is happening for the first time, ever. That's what acting is. That's what good scene writing is.

    Believe   Writing   Doors  
    "Martin Landau Talks FRANKENWEENIE, the Love for His Character, Bringing Mr. Rzykruski to Life, Advising Other Actors and Collaborating with Tim Burton". Interview with Christina Radish, collider.com. October 5, 2012.
  • I think a lot of good directors listen to music while they're working. The songs just don't become a part of the film. They're replaced.

    Source: collider.com
  • Your own barometer is all you have to go by, and often what makes a good director is knowing when not to say something. On occasions you can find yourself on a film set where the person who is wearing the director's hat is only trying to justify his position.

  • It's more fun to play a good character with a good director and good actors around you. That's what makes it fun, and the more variety, the better.

    Fun   Character   Play  
    "Blake Lively and Salma Hayek Talk About SAVAGES, Slapping and Spitting on Benicio del Toro, and Swearing in Spanish". Interview with Christina Radish, collider.com. July 3, 2012.
  • I think to be a good director you have to be a good person and you have to care about people.

    Source: collider.com
  • And I think being a good director is being able to be completely tyrannical and you?ve got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.

  • There are lots of good directors I would like to work with; I want to be inspired and challenged by them.

  • Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.

    Writing   Play   Way  
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