Jazz Quotes
The best sayings about Jazz that you can share on Instagram, Pinterest, Facebook and other social networks!
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Jazz is a word they use to sell our music, but to me that word does not exist.
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You do [jazz] because you love it and hope many some others may as well. You do this because you need it.
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In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about.
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I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with.
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African American music can't happen in Germany or in Italy or in Mumbai. If America disappeared off the face of the Earth today, the greatest single cultural loss would be blues, jazz, hip-hop, R&B, rock-and-roll.
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Flexibility is an essential part of Jazz. It's what gives Jazz music the ability to combine with all other types of music and not lose its identity.
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Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.
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Keith, how does it feel to be a genius?
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We're working as if it were going out of style-which of course it is.
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Blues is like the roux in a gumbo. People ask me if jazz always has the blues in it. I say, if it sounds good it does.
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I've been YouTube surfing a lot lately so I'll Shazam a song that I find or some s - - and type that in on YouTube and just go through all the relateds for it. So it's been a lot of random jazz s - - lately. Like I found Lonnie Liston Smith, and Ahmad Jamal, s - - like that. So that's been very tight.
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Miles Davis was doing something inherently African, something that has to do with all forms of American music, not just jazz.
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Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.
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Jazz tickles your muscles, symphonies stretch your soul.
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He would forget everybody's name, so everybody was called 'Pops'.
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Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.
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I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way.
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I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.
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I don't know that many chords. I'd be loaded if I knew that many. But that's not my aim. My aim is to move from one vein to the other without any trouble. The biggest thing to me is keeping a feeling, regardless what you play. So many cats lose their feeling at various times, not through the whole tune, but at various times, and it causes them to have to build up and drop down, and you can feel it.
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Jazz is people's music, a collectivity.
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A goal is a dream with a finish line.
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I don't know what anybody else in the world would want to thank America for, but man, it [jazz] works. What I like about it - and what public health people ought to like about it - it's safe sex.
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I can only be me. I do what I do, I'm not a jazz player. ... I don't play jazz standards, at least not in any recognizable way. It's not my turf but I have plenty of respect for that style of playing.
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I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
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It occurred to me by intuition, and music was the driving force behind that intuition. My discovery was the result of musical perception.
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The first time I heard Bird play, it hit me right between the eyes.
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Get up from that piano. You hurtin' its feelings.
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The thing to judge in any jazz artist is, does the man project and does he have ideas.
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I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.
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I like chords that are very lush with all the lush parts taken out.
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