Main Characters Quotes
The best sayings about Main Characters that you can share on Instagram, Pinterest, Facebook and other social networks!
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Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit.
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I saw the main character played by Mads Mikkelsen, and he's amazing. Hannibal had that going for it.
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With fiction, the works of women are often over-interpreted as autobiography, especially when the main character is a woman, especially if she is seen as privileged.
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One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.
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Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.
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The main character and the most important character are not always the same person - you have to know the difference.
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In the christian view, the ultimate evidence for the existence of God is Jesus Christ. If there is a God, we characters in his play have to hope that he put some information about himself in the play. But Christians believe he did more than give us information. He wrote himself into the play as the main character in history, when Jesus was born in a manger and rose from the dead.
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To play one of the main characters in it, it's not the kind of thing you don't do. Oh, I'd rather not play Pippin in Lord of the Rings... In fact, I'm trying to think - what else would you rather do, you know? I can't actually think of another job that I'd rather do.
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There is no such thing as a perfect person in this world. We all must become the main characters or the stars of our lives. We are all different and start differently. But from whatever is our circumstances, it is very important that we find the opportunities to try out what we want to do.
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There are relatively few science fiction or fantasy books with the main character being an old person.
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I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal
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At the end of the day, if you don't identify with the main characters, no television show will work.
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The only way to change the world is to change the main character of our story - the one we believe that we are. If we change the main character, if we respect ourselves, then just like magic, all the secondary characters will change. We can only give what we have, and if we don't respect ourselves, how can we respect others?
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The writer's job is to get the main character up a tree, and then once they are up there, throw rocks at them.
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Whenever people say they didn't like the main character of a book, they mean they didn't like the book. The main character has to be a friend? I don't get that.
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As a hero, you have to play it straight. The audience is going to live through you, so you have to be more neutral. They will be projecting their thoughts and their actions onto the main character.
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All people live in a fantasy in which they are the main character.
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I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
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I should love to do a novel, about one abnormal character seeing present-day life, very ordinary life, yet arresting through it, abnormality, until at the end the reader sees, and with little reluctance, that he is not abnormal at all, and that the main character might as well be himself.
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I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel.
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[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
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Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
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My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down.
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A is for Alibi, my first book, was published in 1982. As it happened the next couple of books took place in June and August of that year. Without meaning to I painted myself into a corner. The other issue was the aging process. I did not want my main character to age one year for every book so I slowed the whole process down. This way I could get through all 26 letters of the alphabet without making her 109 years old in 2015. I might end the series in either 1990 or on New Years Eve 1989.
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I try to use models at least for the main characters because of the nature of my art. I tend to focus on the humanity of my subjects, the details of expression that add a certain reality to the work. Real faces = real art. That's the goal anyway.
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Make sure your main characters are likeable. They can be flawed, but your readers need to be able to root for them.
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Remember, the essence of storytelling demands that we place our main characters on a path. A quest with something at stake, with something to do, to achieve, to learn, and to change.
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What helped me a lot was that I chose an American lead protagonist, because that liberated a lot from my own knowledge. If I had approached it from the perspective of an Indian main character, I think I would have assumed a lot of knowledge and I would have resented the presence of the author.
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All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
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I've never before had the same main character appear in consecutive novels, but I liked Yancy and his attitude, and I was curious to see what would happen to him after Bad Monkey. And I liked the idea of him still trying to get his detective job back while he's stuck on roach patrol.
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