Mass Culture Quotes
The best sayings about Mass Culture that you can share on Instagram, Pinterest, Facebook and other social networks!
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Television is completely another medium. For me, Lady Gaga and HBO are bringing us to mass culture.
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Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.
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a steady diet of mass culture is a form of deprivation.
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Nobody seriously questions the principle that it is the function of mass culture to maintain public morale, and certainly nobody in the mass audience objects to having his morale maintained.
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The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.
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Nothing threatens freedom of the personality and the meaning of life like war, poverty, terror. But there are also indirect and only slightly more remote dangers. One of these is the stupefaction of man (the "gray mass," to use the cynical term of bourgeois prognosticators) by mass culture with its intentional or commercially motivated lowering of intellectual level and content, with its stress on entertainment or utilitarianism, and with its carefully protective censorship.
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Eight Hours For What We Will is a major contribution to modern American working-class history and to the history of a changing American popular and mass culture.
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Modern mass culture, aimed at the "consumer", the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.
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I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
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Our society offers little in the way of reeducation for those who have been torn away from their traditional culture and suddenly exposed to all the blandishments of mass culture-even the churches which follow the hillbillies to the city often make use of the same "hard sell" that the advertisers and politicians do.
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The more we retreat from the culture at large the more room we will have to carve out lives of meaning, the more we will be able to wall off the flood of illusions disseminated by mass culture and the more we will retain sanity in an insane world.
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Art has knowledge and skills, and to come to know them is to be implicitly against a culture that is against knowledge - today's mass culture, which aims to produce a lot of consuming morons.
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The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.
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At times, the biggest challenge in embracing simplicity will be the vague feeling of isolation that comes with it, since private sacrifice doesn't garner much attention in the frenetic world of mass culture.
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In a word, the consumer of mass culture is lonely, not only lonely, but spiritually impoverished.
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Brian Myers takes a fresh approach. He largely ignores what the regime tells the outside world about itself, but concentrates instead on what North Koreans themselves are supposed to believe, paying special attention to the North Korean narratives and mass culture, including movies and television shows. (...) There are few books that can give the world a peek into the Hermit Kingdom. The Cleanest Race provides a reason to care about how those in North Korea see themselves and the West. It is possibly the best addition to that small library.
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Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.
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The art world is now a slave of mass culture. We have a sound-bite culture and so we have sound-bite art. You look at it, you get it - it's as immediate and as superficial as that.
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Realize that the banality around us that passes as "hipness" or "mass culture" is as satisfying as "mass food"-only it comes in much more unappetizing portions.
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Often, these downplay the power of cultural imperialism - in that sense, playing the game of US interests - by reassuring us that the global success of American mass culture is not as bad as all that.
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The satsang is - within the mass culture - like little mushrooms here and there, and somebody, maybe a Christian and a Hindu and a Buddhist, come together; doesn't matter, because those are paths. They're paths to the One. But those satsangs are what the world needs. And as I say - heart to heart - that's what satsang is.
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This film isn't about "white racism", or racism at all. DEAR WHITE PEOPLE is about identity. It's about the difference between how the mass culture responds to a person because of their race and who they understand themselves to truly be. And this societal conflict appears to be one that many share.
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Reading is one of the true pleasures of life. In our age of mass culture, when so much that we encounter is abridged,adapted, adulterated, shredded, and boiled down, it is mind-easing and mind-inspiring to sit down privately with a congenial book.
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The kind of people who can assemble huge crowds into one spot will be the major influences on mass culture in the next decade. The rock enthusiasts have created some of the most exciting theatrical events on the planet.
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If literature survives at all, it is as retreat for those who refuse to assimilate to American mass culture.
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The anorexic is the fuse nakedly exposed to the direct power of modern media, a psyche whose wiring has no insulation. The anorexic is an analog to the ideologue, who is likewise devoid of common sense, independent ego, culture, intuitive intelligence, etc.: all the ideologue has to orient himself by is the formalist or abstractivist directives inlaid in modern mass-culture. Both are forms of the True Believer, minds in whom factors of self-active life are reduced to negligibility and pathos reigns.
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Detachment is the prerogative of an elite; and as the dandy is the nineteenth century's surrogate for the aristocrat in matters ofculture, so Camp is the modern dandyism. Camp is the answer to the problem: how to be a dandy in the age of mass culture.
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Top Authors
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Phil Hartman Actor -
Philip Martin Brown Actor -
Queen Noor of Jordan Advocate -
R. Buckminster Fuller Architect -
Peter Prange Author -
Pierre Gagnaire Chef -
Quanah Parker Chief -
Phil Abraham Cinematographer -
Pyotr Ilyich Tchaikovsky Composer -
Porfirio Rubirosa Diplomat -
Pierre Corneille Dramatist -
Phil Thompson Footballer -
Petter Stordalen Investor -
R. James Woolsey, Jr. Lawyer -
R.C. Bannon Musical Artist -
Peter Westbrook Olympic athlete -
Plotinus Philosopher -
Philemon Saint
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Philip Alston Scholar -
PZ Myers Scientist -
Pyrrhus of Epirus Statesman -
Philip Guedalla Writer
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Phyllis Chesler Writer -
Rachel Caine Writer
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