Nightclubs Quotes
The best sayings about Nightclubs that you can share on Instagram, Pinterest, Facebook and other social networks!
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I think all of Manhattan has pretty much become a bar-slash-nightclub-slash-restaurant. There were always pockets of that. But now every corner of Manhattan is that.
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I am working on my nightclub act, definitely want to do more singing.
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Having a nightclub in your house really helps for having a party, because then you don't need to go out.
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It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
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I love David Bowie and Cher and Diana Ross. I wanted to follow in their footsteps. So I set out to do that in a rock-'n'-roll band in Atlanta, Georgia. That led me to nightclubs and to the sort of Andy Warhol experience of creating a personality.
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Gentleman. A man who buys two of the same morning paper from the doorman of his favorite nightclub when he leaves with his girl.
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Everything is in how you are going to handle it. As a lifelong nightclub comic, I'm ready to handle whatever I have to handle.
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I worked nightclubs all through my 20s, and I was a teetotaler.
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I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.
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I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
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I just think it's sad that the main places in our culture that we designate to meet new people are bars and nightclubs.
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I think I was very lucky that I didn't get well-known until my early thirties. If it had happened when I was younger, you might have seen me falling out of nightclubs. I think I conducted myself as a much better human being because I was already married when all that came along (I got married five months after I got the role as Will).
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I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
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Yesterday I wrote the majority of a song called 'Burn the Nightclub Down' which was about kind of driving into Cleveland full of dread at the prospect of playing at this night club and actually just the night before I had called my girlfriend whose birthday it was. And it's her birthday and here I am on the road in some hellhole in Ann Arbor in Michigan.
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When I used to play nightclubs, you had to play Top 40 or favorite oldies that maybe people could relate to.
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Loose and jocular, Stanley proved to be a master at relating to nightclub audiences
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It was an unwritten law that black comics were not permitted to work white nightclubs. You could sing and you could dance, but you couldn't stand flat-footed and talk; that was a no-no.
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I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier.
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The more boring a newspaper is, the more it is respected. The most respected newspaper in the United States is The New York Times, which has thousands of reporters constantly producing enormous front-page stories about bauxite...The [New York] Post would write about bauxite only if famous celebrites were arrested for snorting it in an exclusive Manhattan nightclub.
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During Prohibition, Atlantic City created the idea of the speakeasy, which turned into nightclubs and that extraordinary political complexity and corruption coming out of New Jersey at the time. The long hand that they had-and maybe still do-even had to do with presidential elections.
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A more complex - but only slightly more original - way to feel out of it is available at the hip and pretentious nightclubs and bars along the Sunset Strip.
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I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
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My parents were extreme left so everything was against the system. I was walking barefoot in the streets of Paris when I was eight. When I started to DJ they hated it, because for them, nightclubs, and all of this life, was terrible and fake.
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I needed to get into a nightclub and stand up and present the material that way. I needed to present it live.
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In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
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Nightclub City tells the behind-the-scenes story of Manhattan's glamorous nightlife at its peak. Packed with colorful characters, terrific original research, and an unusually accessible writing style, Nightclub City is a gritty social history of America's most glitzy fantasies.
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I feel that if your soul was branded by the sixties, you never lost the brand. It's like going into a nightclub and having your hand stamped so that you don't have to come back but you can come back.
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FROM THE FIRST DAY YOU ARE TOLD IF YOU WANT TO BE THE BEST THEN STAY OUT THE NIGHTCLUBS!
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So I'm in my 51st year of playin' mostly nightclubs. I do some concerts.
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When I was a little kid I thought I would grow up to be black and sing jazz in nightclubs.
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