Opera Singing Quotes
The best sayings about Opera Singing that you can share on Instagram, Pinterest, Facebook and other social networks!
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Opera singing is in every way of inestimable value; a real heritage for all mankind that has been reached over centuries of studies, attempts, flights of the spirit.
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I told Hugh Hefner, "I have this crazy boyfriend." And Hef was like, "You're not going anywhere with a crazy boyfriend," and so he put me in a mansion in Bel-Air with an opera singing Chinese maid, and I was driving a Bentley, and a friend of mine came by and was like, "What is going on? Why are you living in this mansion?" And I was like, "Isn't this what happens when people move to LA?
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There's no half-singing in the shower, you're either a rock star or an opera diva.
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Above all, I am an opera singer. This is how people will remember me.
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But, in North Korea, it's just the opposite. There's one story. It's written by the Kim regime. And 23 million people are conscripted to be secondary characters. There, as a youth, your aptitude towards certain jobs is measured, and the rest of your life is dictated, whether you'll be a fisherman or a farmer or an opera singer.
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As a child, I was always making sound; it was a compulsion. I loved to scream and yell and sing; it freed me from all the thoughts in my head. I begged for opera lessons because opera singing is the most formidable, most emotional way to use your voice.
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I guess I've done a lot of different kinds of performing at various times - opera singing, poetry reading, not least high school teaching - and I do enjoy it, at least sometimes. But I find it incredibly anxiety-producing and exhausting. Privacy is more congenial, and I go a little crazy if I can't spend a big chunk of every day, or almost every day, alone. Certainly I have to be alone to write.
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Like an opera singer, I am able to sing out my song in paint.
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The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.
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Never look at the trombones, it only encourages them.
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No good opera plot can be sensible, for people do not sing when they are feeling sensible.
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In opera, there is always too much singing.
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In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.
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Patrick Fabian Actor -
Olga Kurylenko Actress -
Paget Brewster Actress -
Orson Pratt Apostle -
Norval Morrisseau Artist -
Oliver Jeffers Artist -
P. J. Carlesimo Basketball Coach -
Oliver Gaspirtz Cartoonist
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Oda Nobunaga Daimyo -
Patty Schemel Drummer -
Osmel Sousa Entrepreneur -
Oscar de la Renta Fashion designer -
Orson Bean Film actor -
Oren Moverman Film director -
Patricia J. Williams Legal Scholar -
Patrice Kindl Novelist -
Olavo Bilac Poet -
Oodgeroo Noonuccal Poet -
P. M. Forni Professor -
Paul Bloom Professor -
Ornette Coleman Saxophonist -
Patricia L. Fry Writer
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O. Henry Writer -
Pat Schneider Writer
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