Opera Quotes
The best sayings about Opera that you can share on Instagram, Pinterest, Facebook and other social networks!
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I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
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To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
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What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
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Music in general and lately opera in particular fills my soul with hope and inspiration.
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Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations.
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Robert Duvall taught me years ago. He said, "You know theatre is not real. I don't like plays." You know, he doesn't like plays. And I agree with him in certain ways, you know. They can be fun. I don't mind going to see them. I went and saw Phantom of the Opera. I thought hey, that's cool. Look at the mask and all that.
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Suddenly I realized that I wanted everything to be as it was when I was younger. When you're young enough, you don't know that you live in a cheap lousy apartment. A cracked chair is nothing other than a chair. A dandelion growing out of a crack in the sidewalk outside your front door is a garden. You could believe that a song your parent was singing in the evening was the most tragic opera in the world. It never occurs to you when you are very young to need something other than what your parents have to offer you.
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When I wrote Rick, I had the idea that I would take the plot of nearly every opera and turn it into a dark film, which is something I still may do.
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I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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I trained with a guy named Tito Gobbi, who was the Marlon Brando of the opera world. Tito Gobbi was the greatest singing baritone in the opera world and I studied in Florence, Firenze, with him. That was my first love, as it was Frank Sinatra's, oddly enough.
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excuse me' he added, taking the opera glasses out of her hands and looking over her bare shoulder at the row of boxes opposite, 'i'm afraid i'm becoming ridiculous
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Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
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Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.
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Much later in life, though, Gracie made a major contribution to the opera world. She stayed out of it.
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The most wounding insult to an educated Russian was to be called nekulturny-uncultured-yet the same men who sat in the gilt boxes at the Moscow State Opera weeping at the end of a performance of Boris Gudunov could immediately turn around and order the execution or imprisonment of a hundred men without blinking. A strange people, made more strange by their political philosophy.
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As americans I think it's harder for us to have a relationship with opera because the access to it is so limited.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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The trouble with the opera is there's always to much singing.
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Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.
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I don't know why a computer game can't be an art form just as a puppet show or an opera is. I'm still interested in computer games as something I would like to work on someday.
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I don't like the word rock opera, but I'm trying to write on that level that's reserved for plays still, or novels.
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The Hitch Hiker's Guide has not been an opera. It has however been a tapestry, if you count a woven bath towel as a tapestry.
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I'm very musically inclined. My parents were opera singers. As a young child, I could hear operas and I knew if they were sad, or if they reminded me of something, or they brought back a memory.
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It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
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Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
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I leaned across the table towards the crumb-thrower. "Do that again," I said, loud enough to be heard over the opera singer, Dolly, my mother, and the smell of the breadsticks, "and I will sell your firstborn child to the devil.
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Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
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I used to pride myself on being impervious to the sentimentalities of soap opera, but when that loveliest of actresses, Rachel Gurney, of Upstairs, Downstairs, perished on the Titanic, I wept so convulsively and developed such anorexia that I had to be force-fed.
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If time were the wicked sheriff in a horse opera, I'd pay for riding lessons and take his gun away.
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