Performances Quotes
The best sayings about Performances that you can share on Instagram, Pinterest, Facebook and other social networks!
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When you are new to the business, you think if you give a really bad performance, that's one they will print. You will be judged. You just have to be brave.
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Perfection does not come from belief or faith. Talk does not count for anything. Parrots can do that. Perfection comes through the disinterested performance of action.
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When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.
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More often than not ... 'Selma' focuses on the one thing we don't expect in a movie about Martin Luther King Jr. - his doubts - and Oyelowo comes through with a deeply felt and quite brilliant performance.
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Passion + production = performance.
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Recently I prayed, "Lord, I want to know your peace at all costs. I won't listen to the devil's lies any longer. I know my salvation is not in my performance. No, Jesus, you alone plead my case. I rest in what you've done for me." Can you say the same by faith?
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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
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I am pure performance, and Robert Wilson is pure theater.
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We gave up on the idea of trying to make the record a good representation of the live performance.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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For some roles, like when I was doing Bent, that was harder and I didn't find that helpful because I was so calorie deprived, my brain wasn't getting food. I would end up not being as focused or as clearheaded as I would have liked to be during the run of the performances. I would lose those quality impulses that you lean on when you're acting because of malnutrition. basically. But I looked skinny.
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The audience I'm targeting doesn't care about the language spoken in the films they watch. They're interested in more important things like story, performance, cinematography etc.
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I don't believe that you can give the same performance every take. It's physically impossible, so why bother? If you don't do what is happening at that moment, then it's not real. Then you're holding something back.
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When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!
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One has to set high standards... I can never be happy with mediocre performance.
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The non-doing of any evil, the performance of what's skillful, the cleansing of one's own mind: this is the teaching of the Awakened.
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I've mainly been in dramas, so this is one of my first comedy kind of performances in Cecil B. Demented.
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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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Our righteousness doesn't depend on our present performance but on Jesus' finished performance.
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I had this totally impossible dream of being an actress. Trust me, just because I'm lucky enough to be doing this doesn't make any of this less of a pipe dream. And nothing gets my juices flowing like a really great performance. To see someone on stage, I get really excited.
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I look up to Bernard Hopkins as a fighter. I'm honored to be his co-main event and to be able to give a great performance.
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I always try to take from past performances. You never try to get too high or too low. Just play every game, just treat every game like it's the same.
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My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.
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I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
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If I think about the way I was drawn into the music, it was much more by recordings than by live performances.
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Possibly the biggest issue, however, is that performance appraisals focus managers attention on precisely the wrong thing: individual people. As W. Edwards Deming, the father of the quality movement, taught a long time ago, company performance often results more from variations in systems than from the individuals doing the work.
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Performance leads to recognition. Recognition brings respect. Respect enhances power. Humility and grace in one's moments of power enhances dignity of an organisation.
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I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.
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Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
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How you run the race - your planning, preparation, practice, and performance - counts for everything. Winning or losing is a by-product, and aftereffect, of that effort.
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