Pop Song Quotes
The best sayings about Pop Song that you can share on Instagram, Pinterest, Facebook and other social networks!
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If you took every pop song to heart, you'd be a bleeding romantic with a crushed heart every five minutes.
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I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
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Pop songs are not as graceful as they used to be. Performers today haven’t gone through the regimen of learning how to write. And of course, everyone wants to own copyrights. Rap culture is interesting and different and has purpose, but it has a non-romantic view of life and of social feelings. There may be a void in that.
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'Time after Time' is one of the best pop songs ever written, in my opinion. It's an incredible, beautiful, timeless song.
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Why can't you write a great pop song when you are 85? Maybe you can.
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It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.
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All men that date me have to know that their name may end up in a pop song.
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I really got into psych because everything has a really good groove to it and it's nicely spaced out, but ultimately they are just cool pop songs with a little something else that makes them special and unique. They are interesting and have another dimension to them besides a three chord change.
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I love writing pop songs and I love the challenge. I love melodies and wanted it to be classy. I wanted it to have some substance because I feel as if I have a lot of things to say and wanted it to have something to it.
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It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
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I'm not good at happy, lightweight kind of music. I'm not really good at pop music. "Cars" is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
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Pop music has greater power to change people and to affect people because it's a universal language. You don't have to understand music to understand the power of a pop song.
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When I was working on the music for this I didn't want to just use pop songs as the score - most movies do it and I've done it before.
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With my records, it's just a matter of trying to create something fresh for myself in a very finite context, which is the pop song. I don't know anything about the people who buy my records, and what, if anything, they get out of them.
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All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.
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If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.
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Well, there are certainly original things to say. But I'm not sure that a pop song is the appropriate format to say them in.
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I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.
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Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time
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I think I have a vested interest in thinking that the lyrics are important, but I think for us it's important that we all write things that mean something to us, and I think we're not really in the business of writing la-la-love-you chart pop songs. It needs to have a personal pulling in the gut for me, to want to write anything about it.
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I admire pop songs that are perfect at three minutes.
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There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
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My mom and I are very honest with each other, almost to a fault. But that's just the way I am in life. If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.
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I think it's something that really speaks in your head - a very strong melody. But at the same time, if the song doesn't have some kind of edge to it, if there isn't something a little off about it or something very intense or loud or abrasive in some way, it just comes off as a stupid pop song.
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Sometimes, I write '60s or '80s style pop songs.
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Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
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To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.
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It's really hard to fit a complex idea into a 3-minute pop song. And when you're dealing with issues that you're passionate about, usually they have various levels. And within a poem, you can get around the issue of space, and in a song the same way, by simply leaving holes and alluding to what you're talking about.
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One of the nice things about a favorite pop song is that it's an unconditional truce on judgment and musical snobbery. You like the song because you just do, and there need not be any further criticism.
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My earliest memories as a child are listening to Beatles records, and they are a big part of how I've learned to write pop songs.
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Top Authors
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Stanley Arnold Former California State Assembly member
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Silas House Writer
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