Popular Music Quotes
The best sayings about Popular Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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To the average mind popular music would mean compositions vulgarly conceived and commonplace in their treatment. That is absolutely false.
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It is inescapable that Ringo was the catalyst for the others. He certainly completed the jigsaw and The Beatles, with Ringo, became a magnet for the great camera artists of the world, a target for the jaded, lately hostile eyes of people who had hardly known that popular music existed.
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Teen pop will never die as long as there are teens and popular music. It just takes a different head.
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It was such an amazing time for music in the Sixties. When popular music hit me, it was like magic was in the air.
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Van Morrison remains a singer who can be compared to no other in the history of modern popular music.
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It was Muddy Waters who took the Delta blues north to Chicago, electrified the sound, and changed the course of popular music as we know it. That's pretty much the judgment of history, and it is mine as well.
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If you look at the history of popular music, the most successful musicians have started out being really marginal and esoteric. The Beatles and the Rolling Stones. Madonna. Prince. Bruce Springsteen. Fleetwood Mac. David Bowie. Public Enemy. Nirvana.
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Commercial music, for the most part, is popular music and you always have to keep that in mind.
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Youth has many glories, but judgement is not one of them, and no amount of electronic amplification can turn a belch into an aria.
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[Europe has] this tradition of self revelation in popular music. We have it here - it's called Country Western Music... I think that's where the deeper and more complex subjects are treated.
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Entertainment isn't just based on the very structured syndrome of European popular music, and it's great that there are so many thousands of people who are of the same opinion.
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Popular music is all about traveling at the speed of you and elevating the individual as the highest thing in the world.
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I found myself thinking about the distance between the 60s and today through certain moments. Like the Henry Flynt interview with Ubuweb founder Kenny Goldsmith, where he talks about how he was scarred by how proud John Cage was to be ignorant of popular music. Goldsmith says, "Nobody thinks twice nowadays about listening to everything!" Something that had seemed so uniquely, radically syncretistic in Flynt's day seems much more commonplace now.
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Popular music is popular because a lot of people like it.
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Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.
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Popular music is like a big party, and it’s a thrill sneaking in rather than being invited. Every once in a while, a guy with his shirt on inside out, wearing lipstick and a pillbox hat gets a chance to speak.
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I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"
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I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.
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Never sound pompous. You always sound noble, noble. Absolute character of music is nobility. Even popular music can be noble, you see. If it's not noble, then it's not very good... Music is an art of emotion, of nobility, of dignity, of greatness, of love, of tenderness. All that must be brought out in music but never a show of pompousness.
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The great thing about the arts, and especially popular music, is that it really does cut across genres and races and classes.
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James Brown and Frank Sinatra are two different quantities in the universe. They represent two different experiences of the world.
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The country experience was more of a departure. When you consider my education and my upbringing, you can see that was more of country rock outgrowth of my popular music aspirations.
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Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.
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Have you listened to the radio lately? Have you heard the canned, frozen and processed product being dished up to the world as American popular music today?
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In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music.
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I come from a generation that was surrounded by popular music, but I don't know if anybody's ever going to move the ball forward as far and as fast as the Beatles did.
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I turn on the radio now and I don't have anything against a lot of sequenced and programmed and electronic music, a lot of it is dope and it's the future. It's what popular music has evolved to.
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We were working in entertainment, in the music industry, with popular music, it was important, but it was something that we also felt was a responsibility.
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All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
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There's no difference in a lot of people's minds between good musicians and popular musicians.
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Top Authors
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Geena Davis Actress -
George Edmund Street Architect
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Gael Greene Author -
Gary Zukav Author -
George Henry Borrow Author -
George Pendle Author -
Garry Trudeau Cartoonist -
George Koltanowski Chess Player -
Gaby Dunn Comedian -
Georg Riedel Composer -
George Bennard Composer -
Gene Kelly Dancer -
George Chakiris Dancer -
George Nelson Designer -
George Stigler Economist -
Garrett Graff Editor -
Gena Rowlands Film actress -
Genevieve Bujold Film actress -
Gary Danielson Football player -
George B. Cortelyou Former United States Secretary of the Treasury -
George J. Mitchell Former United States Senator -
George Eastman Inventor -
Gayle King Magazine editor -
George Santayana Philosopher -
Geoffrey Faber Poet
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Gelett Burgess Poet -
George Mackay Brown Poet -
Gary Glitter Singer-songwriter
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