Studios Quotes
The best sayings about Studios that you can share on Instagram, Pinterest, Facebook and other social networks!
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I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
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Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
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I write all the time. The wonderful thing about having a cell phone is that if I get an idea, I knock it out and it's in my phone and I can transfer it to my computer and go into the studio and bring it up.
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Yoga has moved from relative anonymity in the West to a well-recognized practice offered in thousands of studios, community centers, hospitals, gyms, and health clubs.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
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I like the gritty parts of fashion, the design, the studio, the pictures.
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It's very hard for a studio to take a chance on a piece of original material. They used to have the fall-back of DVD sales. They had ways in which they could safely make an investment in a piece of original material, and those opportunities aren't necessarily there anymore.
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I don't think you can recreate anything from the past. You can not do it. If you're going to go out and imitate a Motown sound, you can't do it, it's impossible because of the studios and players involved and the atmosphere.
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I've been in enough films where the studio wanted that extra little cuteness to make it sellable.
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I repeat it until it works. It is important to record, otherwise you lose ideas. That's why I never stay away from the studio, I always [have] something to ask.
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Money solves a lot of problems and when you don't have money, you've got to do all this other stuff to solve the problem. It's very hard. I would love to have not necessarily a studio because then you lose so much control but I would love to have decent independent financing where I have the freedom and I have the money to do it right, to not be asking people to work for free or to work for half the rate and not ask those favors again and again because I now owe all these people back who've helped me.
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I am a session guy and a studio musician and whatever you need me to do I will do it.
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I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
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If a muse knocked at our studio door tomorrow, how many of us would even notice?
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The true professional makes art when he is not feeling good, if the studio is too cold or too warm or the walls are falling down. We are painters and we paint. If I were a sculptor, I'd sculpt.
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Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
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Everything in The Room, we did it the same way the big studios do it. The only difference is the budget and the actors. We put an ad in Back Stage West and in return we got almost 8,000 headshots from people who wanted to be in the film. We then do a process of selection and a rehearsal process after they are selected. The process of audition is very time consuming.
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I think all you can really do is use the tour to kinda fill up with experiences and thoughts, and then, when you get back to the studio, or in some type of creative environment, that's when you release everything that you've encountered on tour.
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Theirs [the Beatles] is a happy, cocky, belligerently resourceless brand of harmonic primitivism... In the Liverpudlian repertoire, the indulged amateurishness of the musical material, though closely rivaled by the indifference of the performing style, is actually surpassed only by the ineptitude of the studio production method. (Strawberry Fields suggests a chance encounter at a mountain wedding between Claudio Monteverdi and a jug band.)
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I would have been content to just do studio work, making it on my own never really entered my mind.
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Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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I repeat the wake-up, the workout, the quick shower, the breakfast of three hard-boiled egg whites and a cup of coffee, the hour to make my morning calls and deal with correspondence, the two hours of stretching and working out ideas by myself in the studio ... That's my day, every day. A dancer's life is all about repetition.
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I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
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If you come up with the original idea on your laptop, anything else is an embellishment of that idea. It's nice to have the option to mix inside a big studio, but at the end of the day, it comes from an original spark, which often happens while sitting on the couch.
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I really think the mind of someone who hasn't been welded into place by their work or studios or actors or this whole society is a wonderful mind to work with, so I'd like to do a big picture with an unknown director.
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I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!
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I want to say to the people, if I am a star, the people made me a star. No studio, no person, but the people did.
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There's not like a science to it, necessarily, but I'm also the kind of person who spends a long time in the studio. I will spend my entire advance just getting it done, which is probably stupid, but I don't have extravagant taste. I mean, I paid for it, so there you go. Why not? The recording process is also very fun.
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Top Authors
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Bob Melvin Baseball Manager -
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Bill Forsyth Film director -
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Brad Furman Film director -
Bo Schembechler Football player -
Bobby Moore Footballer -
Bill Sali Former United States Congressman -
Bill Barber Ice hockey player -
Bobby Hull Ice hockey player -
Bolesław Prus Journalist -
Bosley Crowther Journalist -
Bhumibol Adulyadej King of Thailand -
Bill Toomey Olympic athlete -
Bizarre Rapper -
Black Rob Rapper -
Betty Dodson Sex Educator -
Bonnie Raitt Singer-songwriter -
Boz Scaggs Singer-songwriter -
Brad Davis Soccer Player -
Bob Costas Sportscaster
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