Vans Quotes
The best sayings about Vans that you can share on Instagram, Pinterest, Facebook and other social networks!
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Everyone said to Vincent van Gogh, "You can't be a great painter, you only have one ear." And you know what he said? "I can't hear you".
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There's no great guitarist that doesn't sit down and listen to Chet Atkins and Eddie Van Halen, and all these other great players.
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You have to find hope. Hope is such a shape shifter. You tend to look in the rearview mirror for hope, but when its gone, you have to look forward. You have to get in the van and keep driving on.
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Louis van Gaal is one of the most incredible coaches who's done a fantastic job in clubs all over Europe.
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I think it's a good idea to tie Peter Mandelson to a van. Such an act would be cruel and barbaric and inhuman. But it would at least cheer everyone up a bit.
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I don't care if people think I am an overactor, as long as they enjoy what I do. People who think that would call Van Gogh an overpainter.
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I admire Eddie Van Halen and Steve Lukather, but they might blow me away quite easily if we were to jam together.
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I was a big fan of Jean-Claude Van-Damme growing up, and I always wanted to be a martial artist 'cause of him.
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It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
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Einstein's space is no closer to reality than Van Gogh's sky.
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If I could have any artist's work on my sitting room wall it would probably be by Van Gogh or Picasso.
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I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or [Diego] Velazquez. The composition was classically informed; the painting technique was masterful. And it was something that really inspired me because, you know, these were images of young, black men in painting on the museum walls of one of the more sanctified and sacred institutions in Los Angeles.
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Art and resistance are great together. That's what art's made for. Look at Vincent van Gogh: He didn't cut off his ear because he was selling well.
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My problem was that I was blond. There were no heroes with blond hair. Robert Taylor and Henry Fonda, they all had dark hair. The only one I found was Van Johnson, who wasn't too cool. He was a nice, homely American boy. So I created my own image. It worked.
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I think any supernatural hero today, whether he's a vampire, werewolf, a resuscitated mummy, whatever he is, is going to have to deal with the fact that scientists are going to want to catch him and study him. His big enemy is not going to be Dr. Van Helsing today, it's going to be the doctor who wants to put him in a lab and get his blood for what it can do to cure disease or grant immortality.
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If the FBI parks a van bristling with cameras outside your house, you are justified in closing your blinds.
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If Pride leads the Van, Beggary brings up the Rear.
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Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
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My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
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I was more influenced by players like Randy Rhoads and Eddie Van Halen than by the guys in southern rock bands.
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Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Nokin's life thus far, an erotically circumscribed G.W. Pabst scholar at New York University tortured by the neurotic compulsion that there are only a finite number of erections possible in the world at any one time and that his tumescence means e.g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer.
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- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise? She shook her head. - That my admiration for you is painfully strong? - I want Van – she cried – and not intangible admiration. - Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.
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I was a door-to-door window salesmen in what feels like a cheap, creepy pedophile situation. And I can say that because we were a bunch of kids driving around in the back of some old guy's van and it was creepy. Now that I look back on it I get chills of creepiness.
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Wij wezen allles wat kopie of beschrijving was af en lieten het elementaire en het spontane in volle vrijheid reageren. Omdat de plaatsing van de vlakken en de kleuren en de verhoudingen van deze vlakken louter op toeval schenen te berusten, verklaarde ik dat deze werken, zoals in de natuur, gerangschikt waren "volgens de wetten van het toeval", toeval dat voor mij alleen maar een beperkt onderdeel vormde van een onpeilbare reden van bestaan, van een orde die in zijn totaliteit ontoegankelijk was.
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You can never deny the immense talent, rock credibility and iconic historical contribution that Van Halen made.
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My first impression of Van Halen was that David Lee Roth was a god, and that so was Eddie.
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Van Morrison remains a singer who can be compared to no other in the history of modern popular music.
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It was the British rockers that saved me. They brought me to a different generation altogether [in the 60th]. The Who and The Yardbirds and Georgie Fame and Van Morrison and all those people. The only person who ever did my songs in [ U.S] country was Bonnie Raitt.
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And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
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I feel like it had an impact, in that it started the attention that has been paid to what was happening. It started to get us into this whole conversation about prison reform, the whole bipartisan dialogue that's been happening over the past five, six years about this, where you have a Van Jones and a Newt Gingrich, and you have the Rick Perrys and so forth getting up and talking about the need to reform.
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