Young Actors Quotes
The best sayings about Young Actors that you can share on Instagram, Pinterest, Facebook and other social networks!
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Don’t ever underestimate the power of mentoring someone, or helping some young actor, doing a favor for them, or introducing - everyone needs somebody to help them along when they’re first starting out.
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Because you know, down deep in my heart, when all is said and done, I still live under the illusion that basically people think of me as an up-and-coming young actor.
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A young actor once asked me, What do you do between jobs? I said, Hobbies, hobbies, and more hobbies.
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"I've never see you do something like this before and I'd love to see you try." For a young actor, that's about the most exciting thing that anyone can say to you.
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A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all
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This is advice I would give to any young actor - if you go into a room with anybody and you come in with a positive attitude and a place of love, and you truly do love what you're doing, then the negative energy doesn't even get into the room. You just have to prepare, and then go in and be the best you that you can be, and you'll either get the job or you won't.
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I would say, don't smoke. I'm kidding, but yeah, I did smoke in college and as a young actor and it's stupid.
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I feel it's so hard for young actors; It's a different world that they're coming up in; there's so much money to be made off of their personal lives, and people are bound and determined to make that money.
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You won't find a better young actor than Jaeden Lieberher. I ended up having one of the best times with him, really. Going to work with him every day was a treat.
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As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, "This is what I love doing, and I hope I'm going to be able to do it forever."
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I prefer directing to acting. There is huge freedom that comes from being behind the camera. It brings a lot of responsibilities as well, but is intensely rewarding. Particularly the chance to help draw out the best in young actors.
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You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
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Performance capture is a tool that young actors will need in the next 10, 20 years. It's on the increase, as you say. It's not going away.
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It's a phenomenon that I see with young actors - a lot of American speaking parts going to British actors.
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I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
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When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
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I have only really gotten by with playing versions of myself as most young actors do.
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I think the young actor who really wants to act will find a way ... to keep at it and seize every opportunity that comes along.
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I'm a young actor and I haven't learned everything there is about acting.
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I think there are more good young actors now than ever. It's a medium that everyone wants to be connected with - it is such a hip medium going into the 21st century.
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When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
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As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.
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I was certainly a child of the '60s, and I came out of that era, and as a young actor, I got cast as a lot of counterculture hippie types.
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There are many ways to be a mother. I have a lot of young actors I mentor, and my nieces and my nephews need a lot of love.
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I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.
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I've had lots of good career advice over the years. I've learned that you must always arrive knowing your lines, you must hit your marks, you must be punctual and cheerful and kind. I'm always irritated with young people who misbehave and young actors who are temperamental. I don't think there's any need for it.
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I'd done two years on a soap opera where I was shooting things every day and they gave me a hard time about that, which I think is the wrong way to teach a young actor. They just made me really, really self-conscious about everything I did, which is the opposite of what you need to be when you're filming.
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Heart of America is a movie I'm very proud of. The young actors are great and the story has impact.
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My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
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I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet.
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