Joe Bradley Quotes About Painting
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Paintings exist in the present tense, yet somehow, because of how it's structured, it can move backwards through time as well.
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I think painting has that unique potential to project opposing viewpoints.
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Painting has this ability to send the viewer [backward], but it's also this physical object in the room with you. It's always knocking you back into the present moment, which I find very pleasurable.
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There are different kinds of concentration required to make a painting, different kinds of being present.
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When there's a painting in the room, my eye goes right to it. It's like if you go into a bar and there's a television on, you can't take your eyes off the television. Paintings have that effect on me. It's where my eye settles.
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I think that painting relates very neatly to inner travel and the exploration of inner worlds. With painting, I always get the impression that you're sort of entering into a shared space.
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I've had phases where the compass point seems lost. It can happen for various reasons, among them, that you're trying to do something outside your skill set; your skills have to catch up with the things you see in your head. But it's important to make all of those paintings, even the failed ones.
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There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
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I remember looking at books when I was in high school, but I don't think I really stood in front of a genuine painting or sculpture until I was out of high school.
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Technology's always changing. There was a time where oil painting was a new technology. That changed painting.
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Maybe I don't have the same sense of humor. Maybe people aren't comfortable gauging a painting that way. They think that if it's a painting then it must be serious. I think Picasso can be hilarious, to name one example.
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I guess I have no motivation to make an abstract painting, even if they sometimes read as abstract. I think, with abstraction, it's easy to fall into a sort of pastiche.
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I can only think of a handful of artists that can make a funny painting or a funny sculpture without it feeling coined in someway.
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A good painting has to do about 12 things at once.
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You have the 20th century wrapping up and everything is moving at this breakneck speed? And then, painting is still walking. It's just a very human activity that takes time.
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I think that time moves slower in painting. And maybe that accounts for a lot of the anxiety around painting in the last 40 or 50 years.
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The thing is that the money issue looms so large in art now. And it has absolutely nothing to do with art. If you're painting goes for ten grand or a hundred grand, it doesn't make painting any easier. And it doesn't make the painting any better if it goes for a hundred grand.
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Painting can also be too earnest at times and that's a drag. You don't want to go in that direction either. It should be holistic. It should represent the whole of your personality, I guess, so if somebody is a sincere painter or an ironic painter, then they're just bullshitting the audience and presenting only an idealized version of themselves.
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I think you do kind of slip into a trance when you look at a painting. At least I do.
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