Don DeLillo Quotes About Past

We have collected for you the TOP of Don DeLillo's best quotes about Past! Here are collected all the quotes about Past starting from the birthday of the Writer – November 20, 1936! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 11 sayings of Don DeLillo about Past. We will be happy if you share our collection of quotes with your friends on social networks!
  • People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being.

    Don DeLillo (2011). “Cosmopolis”, p.19, Pan Macmillan
  • Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past.

    Don DeLillo (1999). “White Noise”, p.210, Penguin
  • Look past the violence. There is a wonderful brimming spirit of innocence and fun.

    Don DeLillo (1985). “White noise”, Viking Pr
  • A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true.

    Don DeLillo (1998). “Underworld: A Novel”, Scribner
  • In these night recitations we create a space between things as we felt them at the time and as we speak them now. This is the space reserved for irony, sympathy and fond amusement, the means by which we rescue ourselves from the past.

    Don DeLillo (2011). “White Noise”, p.35, Pan Macmillan
  • There were moments when she wasn't talking so much as fading into time, dropping back into some funnelled stretch of recent past.

    Don DeLillo (2011). “Falling Man”, p.81, Pan Macmillan
  • Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.

    Don DeLillo (2016). “Mao II”, p.31, Pan Macmillan
  • It is all falling indelibly into the past.

    Don DeLillo (2015). “Underworld: Picador Classic”, p.63, Pan Macmillan
  • Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´

    Don DeLillo (2011). “White Noise”, p.286, Pan Macmillan
  • To portray America over the past twenty years or so, I would think immediately of football, probably the Super Bowl in its sumptuous suggestion of a national death wish.

    "Director’s Cut: Q&A With Don DeLillo". Interview with by Rafe Bartholomew, grantland.com. October 12, 2011.
  • Past, present and future are not amenities of language. Time unfolds into the seamsof being. It passes through you, making and shaping.

    Don DeLillo (2001). “The Body Artist: A Novel”, p.99, Simon and Schuster
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